Nonoise,
I find the Gaincard to be relatively neutral in sonic character and very revealing of differences in recordings, upstream gear and wire with the TL-D1's. It all depends on what you feed it. With my Audio Note AN-Vx silver interconnects from my DAC it tends to be more analytical, but with simple DIY copper interconnects it is bolder and more robust sounding. Coherence, rhythmic flow and dynamics are very good.
After using an Audio Note tube amp for 16 years I'd say the Gaincard falls just a bit short in the areas of dimensionality and that inner glow that tubes do so well.
There have been many gainclone designs, mostly DIY, but I have yet to hear of one sounding the same as the original Gaincard, which was the goal of the 25i designer. If the Clones Audio 25i can emulate the character and the positive qualities of the Gaincard it would be a true bargain. I'd love to try one out.
I find the Gaincard to be relatively neutral in sonic character and very revealing of differences in recordings, upstream gear and wire with the TL-D1's. It all depends on what you feed it. With my Audio Note AN-Vx silver interconnects from my DAC it tends to be more analytical, but with simple DIY copper interconnects it is bolder and more robust sounding. Coherence, rhythmic flow and dynamics are very good.
After using an Audio Note tube amp for 16 years I'd say the Gaincard falls just a bit short in the areas of dimensionality and that inner glow that tubes do so well.
There have been many gainclone designs, mostly DIY, but I have yet to hear of one sounding the same as the original Gaincard, which was the goal of the 25i designer. If the Clones Audio 25i can emulate the character and the positive qualities of the Gaincard it would be a true bargain. I'd love to try one out.