Pass Int-150 or Int-30A for PMC Speakers?

By the way, did you also change the speakers too? I remember you have 1007Be.

Kzhtoo

I haven't yet as I need to get the electronics figured out first. Yes that's correct I have Focal 1007Be's and looking to go to the Diablo's but not sure. Still looking to pull the trigger on a pair of Xa100.5's and perhaps an XP-20. I was hoping to find a one box solution but it is looking like that is not going to happen.

Chuck

Hi Chuck,
I know you mentioned INT30A bottomed out on your 1007Be. If you're looking at Diablo, would it be possible to wait until after the speaker upgrade to try out the amps, particularly XA30.5? Many people commented XA30.5 is sweetest sounding of XA.5 series if the speakers are efficient enough (I wouldn't know because I only have experience with XA30.5). Your experience on INT30A maybe due to its not being as "powerful" as or relatively lack of control compared to XA30.5. I understand INT30A amp section is the same but a combo like XA30.5 + XP-10 or XP-20 should be much better than amp + volume control (sharing power supply, capacitor size, etc).

I'm saying this because I had 1008Be and now 1028Be with the same XA30.5 and even at very loud level, the amp stays in class A. My room is 18x25. Besides, I do not think XA30.5 + XP-10 would give up anything Diablo has to offer if source and cabling are up to the task. More importantly, it's much less money and boxes/cables than XA100.5 + XP-20. If the speakers are Scala though, I wouldn't want anything less. BTW, Focal announced there might be a Scala II (I was also told it is not possible due to important changes to the cabinet).

But of course I don't doubt XA100.5 monos will outperform XA30.5 stereo in any way.

Kzhtoo

I have thought the same thing that the combination of amp (xa30) and pre-amp (xp10/20) might provide more drive than the integrated is capable of.

Chuck

Haven't responded back with what direction I ended up going in . So here it is I ended up with the XA 100.5 amps and XP-20 Pre-Amp and the combination is excellent. The meters never move even during the loudest most dynamic symphonic passages. Even during the 1812 Overture when the Cannons go off.