Anyone modded a Steelhead?


Besides rolling the tubes,which I've done,has anyone swapped out any caps (which ones/where ?)or done any other modding to this nice phono stage?

I run mine directly into my power amps(tubes),but I feel I could use a bit more fullness.
What I don't want to do is run it into another pre-amp, there's just too many wires and circuits to contend with to my way of thinking if I went that route.

I should add I did upgrade to a HiFi Supreme fuse and this positive experience leads me to believe there might be some other parts in the Steelhead that could be improved.
lacee
"I run mine directly into my power amps(tubes),but I feel I could use a bit more fullness."

This is why you are lacking fullness.
Running the Steelhead into a pre , as I said isn't the solution I am looking for.Too may variables, extra components, wiring, electrical cords, to name a couple of potential pitfalls.
I more than likely would get some extra meat on the bone, but what would I be giving up?

Does anyone have any positive expereinces of matching the Manley with a pre-amp?Is their a marriage made in heaven?
I'm curious.

I know that modding most gear by replacing lesser quality parts with better ones, works.
Just wondering if anyone has dove into this fish pond.
I had a Steelhead for approximately 6 years that I bought new. I used a variety of NOS tubes, very good power cord (K-S emotion) and experimented with the different inputs and settings. The best results were obtained by using it only as a phono stage, through the fixed outputs, with a good quality line stage (at the time, a Lamm L2). I also preferred the MM inputs to the step-ups on the two cartridges I was using: a Lyra Titan i and an Airtight PC-1. I found that the addition of the line stage gave more weight and palpability to the sound; the Steelhead straight in had great bass and high frequencies, but sounded almost threadbare. Granted, I may have been adding an additional layer of cables and signal processing to the chain which is, in theory, not a 'purist' approach but that was my real world experience over the long haul, and not just a fast try-out of the piece or hearing it in someone else's system. The 'lack of meat on the bone' is precisely the difference I am describing, btw.