Dave 72, zenblaster,
Many studios use or have used the Bryston & B&W combo. In fact I have worked in quite a few. I found in the studio using this combo the sound gets hard and slightly metallic and uncomfortable.
Unfortunately I cannot remember exactly which models of Bryston, but most likely the usual suspects. And usually on the 801D or 802D.
I remember not liking PMC monitors because most of the ones I heard at the time were powered by Bryston. Ironic as I do like a good transmission line. But when I heard them powered with other amps they sounded good. Not so hard sounding.
I have heard Classe sound very good on 801/802 (biamped m400) Even a CJ 350w SS sounded good in a smaller room, but probably a bit masked in a warm way.
For HT I bet some Hypex Ncore based amps or ICE power etc would be just the ticket. Clean, dynamic, small, fast and relatively cheap. What more could you ask for?
The bottom line is try before you buy. The proof of the pudding is in the eating.
Many studios use or have used the Bryston & B&W combo. In fact I have worked in quite a few. I found in the studio using this combo the sound gets hard and slightly metallic and uncomfortable.
Unfortunately I cannot remember exactly which models of Bryston, but most likely the usual suspects. And usually on the 801D or 802D.
I remember not liking PMC monitors because most of the ones I heard at the time were powered by Bryston. Ironic as I do like a good transmission line. But when I heard them powered with other amps they sounded good. Not so hard sounding.
I have heard Classe sound very good on 801/802 (biamped m400) Even a CJ 350w SS sounded good in a smaller room, but probably a bit masked in a warm way.
For HT I bet some Hypex Ncore based amps or ICE power etc would be just the ticket. Clean, dynamic, small, fast and relatively cheap. What more could you ask for?
The bottom line is try before you buy. The proof of the pudding is in the eating.