Class D vs Class A

I think as long as amp designers are listening the the things they build, they should be able to make things sound great built from switching amps or blue cheese. Class D is obviously here to stay and Diavelet, Rogue, Bel Canto, and many others have been raved about...pro sound is all over it, and for me it merely means cold little boxes of juice and it bores me (except in pro audio PA stuff where I don't give a crap as long as it works and sounds clear). I think little moving meters would help...or organic looking art deco vibe design...something...ya gotta give me something...Diavelet stuff seems cool but looks like a steam roller flattened your toaster. Small amps with a switch and a little blue dot just don't warm my heart like glowing tubes packed with retro grease making jazz piano sound like it's right there...why would I want something else?

@ Wolf_garcia, good point and post.

Hi Jorge,
By the same experience, I assume that you also bought modules and built your own amp. Which modules are you using?
I listened shortly last evening, I definitely had some minor improvements over the night before.

Hey Wolf. I put those lights under mine that they put under the low riders. Then on top I put an oil lamp with all those psychedelic colors. I also set mine up on bobble head doll springs. That makes the whole thing gently sway with the tunes. And man! It makes me feel fuzzy all over.

Marqmike...now you're making fun of me and that hurts...however...I think somebody should make a simple rack of tubes that power up but don't actually do anything...just enough juice to make 'em look like they're working, and you could simply hide your boring little Class D amps someplace (really...very little heat so stick the damn things in a drawer or behind other stuff) and gaze at the tubes while listening...a win win, and a handy place to keep your extra tubes.