I thought the Mola Mola's driving Vivid Giya's in Philip O'Hanlon's room had bass that seemed to slightly overpower the room. (One review of Vivid implied they didn't extend very low, which was not the case with this model.) Some room treatments and a smaller Vivid speaker might have worked better in the venue. All that said, I liked the sound quite a bit. The Mola Mola amp and preamp seemed to be very fast and transparent. In comparison, I thought the Merrill Veritas driving the Sanders electrostatics had a prettier sound that was boring, boring, boring. I guess I am not a fan of electrostats, as I didn't like the Martin Logan room either. At the end of the day, I thought the LessLoss room, with a mysterious prototype DAC built by LessLoss and a set of massive Pass monoblocs driving Kaiser Kawero speakers was the best room this year. The soundstage was incredible, with really good imaging behind the speakers, and very natural tone. Of course, these were in a larger room, so room acoustics probably played a big role.