What is your preference, Records or CDs?


I'm no expert on turntables but I believe my Quadraflex reference direct drive turntable is doing a fine job delivering an excellent sound. I have had some friends come over and they thought I was playing a CD. I'm not sure if this is a compliment. I love playing records and constantly seek them out. I know that some upcoming artists have even chosen to record their music on records and obvious it is not a dying media. I have seen some pretty exotic turntable designs on audiogon and my question is what to look for or what is important about it's design.
phd
Mapman, I agree with you- its a toss up case by case. But at this point there's nothing residing in the vinyl that can't also be conveyed in the digital. Having said that, I continue to enjoy vinyl.

Some science: The dynamic range of analogue tape: 60-72 dB, versus HD-PCM at 96khz: 130 dB. Which would you choose?
Psag,

Is that the dynamic range limit of analog tape used to master the best lps with the best dynamic range out there?

Sounds surprisingly low to me for that but dunno the details.

If so, then the tape used to master is always the bottleneck regardless of what one might be able to squeeze out of a turntable and records otherwise.

Wouldn't surprise me if production of many records out there over the years, especially those produced in the more mass production later years of the "golden age of vinyl" which extended into the 1980s fall into this category, but it would surprise me if the case with all.
Mapman, interesting reading!

I was referring to playback rather than mastering. The average analogue tape deck playback system has a dynamic range of about 60 dB. I'm not sure about mastertape and mastering equipment, but probably comparable.

Given the disparity in dynamic range between high resolution digital and analogue, it becomes difficult to argue that a high resolution digital remaster could ever be had from an analogue master.
Of course, you could say those numbers are theoretical numbers. When you listen to a digital recording it often sounds compressed compared to how analog sounds, in actual practice. Even when CD first arrived on the scene there was the specification of 90 dB Dynamic Range and 90 dB Signal to Noise Ratio. As far as achieving those dBs in one's room, I'd opine that was all mostly part of the Compact Disc marketing strategy, you know, the Perfect Sound Forever thing.