Avgoround forgets important parts of the same test. Here are some other quotes from the same review:
but I've listened to this recording many, many times, and through the PL200s I heard details of orchestration that simply had not been apparent before. For example, in the arrangement of Pachelbel's Canon in D, I noticed for the first time that a percussion instrument enters the fray (at 2:42 into track 3) making "clucking" sounds. Could I have heard it through other speakers if I'd listened more attentively? Perhaps. All I can say is that with the PL200s in this system, the presence of this instrument was very obvious, and an effective part of director Harold Farberman's arrangement.
here is the link of the full review:
http://www.stereophile.com/content/monitor-audio-platinum-pl200-loudspeaker
but I've listened to this recording many, many times, and through the PL200s I heard details of orchestration that simply had not been apparent before. For example, in the arrangement of Pachelbel's Canon in D, I noticed for the first time that a percussion instrument enters the fray (at 2:42 into track 3) making "clucking" sounds. Could I have heard it through other speakers if I'd listened more attentively? Perhaps. All I can say is that with the PL200s in this system, the presence of this instrument was very obvious, and an effective part of director Harold Farberman's arrangement.
here is the link of the full review:
http://www.stereophile.com/content/monitor-audio-platinum-pl200-loudspeaker