Ocellia vs Tannoy?

Hi,

After having been in this hobby for a while and having tried and owned different systems with speakers like Dynaudio, Coincident, Brentworth, DIY speakers from Lynn Olson and Troels Gravesen and most recently Vapor Audio Cirrus (an excellent speaker but without the high efficiency I'd like), I had the oportunity to hear a good SET amp in my system and was blown away by the musicality of it, specially the fluidity, platicity, tunefulness of the music. As I'm mainly into opera and classical, this fluidity reminded me of what I love about going to the concert halls. Unluckily, this SET didn't have the power to reproduce big scale symphonic in my 87.5 dB efficient Cirrus.

I haven't been able to erase that experience from my mind, so now I'd like to make myself a system which puts the musical values first and not the usual audiophile values (tone, dynamics, timing and fluidity vs soundstage, extension, ultimate detail, etc.).

So, in the search for a really musical speaker, I've narrowed my search to two options: Ocellia (either the .21 or the .30 Signatures), or Tannoy (either Kensington, Yorkminster or Canterbury), which many people regard as superbly musical speakers. Even of they're not the same technology (wide-bander vs Dual concentric), I think they share many of the same characteristics which I'm after: paper domes with Alnico magnets with point source emittance for vibrant, colorful and solid imaging, excellent micro and macro dynamics, a very fluid sound and good eficiency to be able to use low and mid power amps.

I know it'd be ideal to listen to both of them first, but that's not possible since I live in Mexico and neither of them has distributors here, nor do I know anyone who has either, so I'd appreciate the opinion of those of you who have heard them.

Also, my room is a bit small: 3.3 x 5 m (10' x 15'), so I don't think it could handle big speakers well.

Amplification would be a DHT SET or PP amp.

Hope you can help me
Regards,