Avalon Eidolon Diamond vs Revel Salon 2

The level what I have at home is so stunning, that it is very easy to let people hear what a 3 dimensional image is. Like it is easy to make Avalon owners aware about the difference in touchabel image. We are talking about superior difference. They understand directly what I mean with a small and direct touchable 3d image. They all use the same words. I never heard my music this touchable. I can think about 3-4 steps further in sound than other people in this business can. My photographic memory in sounds makes it a lot easier to come to this level. Of every single part in my system I know exactly what it does. Wenn you use Wilson Audio speakers with Pass labs and Shunyata cables you will get instruments which are too big in proportion. Wenn I would do a demo I ever would be a f..fool to make this combo. Because I know exactly what all the different properties are. I also miss the timbre in the mid freq of the Avalon. I see this as a personal thing. I use the word thin wenn an instrument or voice is not sharp like a knife in touchable 3d focus. Wenn I listend to classical music at my friends house I was pulled to the voice like a magnet. This is intimate sound like I want it to be. I never heard an Avalon doe this. Why? Because it does not have this property. It is that easy. My new Audioquest 2013 Redwood cable ( older have less silver) is the first loudspeakercable what I heard and tested which is capable of giving an extreme intimate sound like I experienced in real. The Oak has many of the same talents but is just made of copper. I sold this one with Avalon speakers. Now it is the Avalon speaker witht the best touchable sound I ever heard. But......what my Pl-200 does in this part is still superior. Now I blow every person away with ease. They all say: mmmmmmmmm...this is heaven and I would love to have this as well. What is the main problem in audio? Show's are done by people with not enough knowledge about all the stuff they use. They often make misstakes with the combination of gear. Cable use they really do not know what the properties are. In many shops I still hear this misstakes as well. I visit many people with audio sets from 12000 dollar till 180.000 dollar. Only a few had a good balanced audio set. Most of them had combination flaw's.

Omsed that makes me realize I am a horse hoarder. Three thoroughbred Avalons and a bastardized Focal. Heard the rockport Mira driven by lamm hybrids and audio research ref5 a few years ago. Ouch!!! Thin and sharp as a butchers cleaver.

Yes, Bo1972, we know you have superhuman hearing and can hear things differently and better than normal humans with the best human hearing. You have told us of your superior ability many times. I am surprised you have not been hired by musicians, musical instructors, and loudspeaker manufacturers. Given you have such gifts, it is amazing you remain so humble about them.

Where can I hear your system? If I sold all audio I own and bought your system components I would save hundreds of thousands of dollars AND have better sound!

I live in Holland.I am addicted to music since I was 6. It is not about my system. I am thinking in tools. An amp, source, cable, speaker etc is a tool for me. I label all tools. All parts were you Judge a sound system at I call the properties/talents of a tool. Wenn you know the poperties it will become more easy to use them in a system. In 15 years I have done hundreds of tests with different tools in audio and in vision. This gives a lot of information. This give me more freedom to adapt a system. The first thing I do for clients is only change the place of there speakers. Normally withb a few cm's maximum. I let a client play his favorite music for about 25 min. After this I use a few cd's to adapt it to the acoustic of the room. And to get the right dimensions of instruments and voices. After this I ask the person to play the same numbers as wenn he started. Then I often see a very big smile on there faces. I say: and this is for free. It is about using the right stuff to get a very high level in sound. In the last 2,5 years I did a lot of testing with roomacoustic measurements. I developed my own way of doing measurements. Next week people of a famous shipyard comes to my house. We will talk about sound and vison for yachts. With Audyssey pro I can get a much higher level in sound than what is even possible without it. All the different parts of Audyssey Pro I can demonstrate. Roomcorrection is just 1/3 of the whole system. I let people here wehat it does. I can put them all out. My way of measurements has a lot more dynamics and resolution compared to Audyssey does. I measure at different places and hights. I even get people hear what my measurements do with the sound. This is not the acoustic part.

Just to be clear... My comments are only in response to Bo1972's characterization of the Avalon sonics. (I simply do not hear in my own system what he ascribes to them.) My comments are not intended as a comparison to the Revel speakers. A friend has Revel Studio Ultimas in his system and I find his system completely captivating -- I get sucked in every time I visit. I haven't been similarly captivated by the Salons but I've not heard them in well set up, either.