SL1200 upgrade tonearm or replace cartridge?


The upgrade bug has started to bite again. I'm thinking of upgrading my tonearm from a stock sl1200 tone arm with cards wires to a SME arm (309, IV, or V).

My other issue is that my cartridge, a Benz Glider homc, I nearing the point where it could use a re-tip or exchange.

My budget is limited, so I can only do one of the above this year.

So my question is, which upgrade cart or arm?

Is the glider a good fit for the SME arms?

Which SME arm is the best fit for the SL1200?
nick_sr
Johnnyb, thanks for your information regarding the effects of the servo circuit used on the SL1200s and pardon my layman's knowledge of this subject.

I still find it questionable though.

As I understand it a servo circuit reads some method of feedback so many times a second and when there is fluctuation error the circuit makes a correction.

The process of the error, the sensing of the error, and the correction of the error, however quickly its done simply must create some stepping. Almost digital in nature.

Consider, back in the day when these circuits were first developed the reading rate was, say, 100 times second. Today that technology can read thousands of times a second.

I'm not sure how one would measure this but obviously the Panasonic engineers had a method which led them to change and/or improve this function on the SP decks. Using outboard processing and power supply to drive the far more robust SP motor they made two more versions of these functions in the SP controllers. Did any of these updates make it to the drive of the SLs?

That said, I would be skeptical of claims made by anybody marketing products for the SL.

On the broader picture of the SL1200 my experiences are like Zenblaster's. It didn't take a great deal of money to find a deck that takes LP playback to another level altogether. I learned this lesson the hard way with poor speaker choices and expecting better electronics to remedy a fundamental shortcomings of the speakers.

Still, when I brought my brand new SL home, punched that start button for the first time and that platter came up to speed so damn fast, that turntable endeared itself to me and I will not sell it.

After reading your tweaks I think I'm going to give them a shot. Thank you very much.


02-14-13: Vicdamone
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After reading your tweaks I think I'm going to give them a shot. Thank you very much.

Here is a picture of my SL1210 M5G and the tweaks I've made.

o The tonearm has the KAB fluid damper and is wrapped in Teflon pipe thread tape
o The headshell is an LPGear ZuPreme.
o The platter has an Oracle Groove Isolator sorbothane mat. I'm sure any good damping mat would work.
o The standard feet have been replaced with a Dayton speaker spike set. Available in various finishes, the black chrome is a great match with the Technics. At $29.95 they're a stone cold bargain for a set of four solid brass cones. The supplied threads are an exact fit for the threaded sleeves on the underside of the Technics. I unscrewed and removed the cones' adjustable tips to truncate the cones and create a concave bottom.
o The concave bottoms fit perfectly on the steel balls of the Vibrapod Cones, which then rest atop Vibrapod #2 Isolators. if you want to simplify, just unscrew the stock Technics feet and rest the threaded sleeves on the balls of the Vibrapod cones. This alone has a significant effect on lowering the noise floor and adding inner detail.
o I sit this whole mess on top of a 3-1/2" thick maple butcher block cutting board. I used to use an inexpensive 1-1/2" thick cutting board from Ikea. Moving up to this massive board ($100 or less from overstock.com) made a quite noticeable difference which my wife described immediately after the change.
Under the cutting board is a pair of computer keyboard wrist pads made of silicon gel.

Yes, it's a bit convoluted, but it actually looks pretty nice and the whole stack of cones, pads, and cutting board total about $200, less than a typical retail vibration isolation platform and more versatile. This enables me to take advantage of the Technics' outstanding torque and speed accuracy while minimizing its weaknesses in vibration control and isolation.
I had a SL1200 and felt the same way about the tonearm. I bought an adapter for the TT to put a Rega RB300 that I owned on it. It was a real improvement.

I ended up putting the table back to stock and selling it. I just never bonded with that TT. But to my ear it sound much improved with the Rega TA installed.

http://www.soundsupports.com/page16.htm

http://www.audiokarma.org/forums/showthread.php?t=324755
Ok, is all of this really necessary? I run my SL1210M5G bone stock, and I'm very happy with it. It sounds superb to me. That's my take.