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Recording quality by decade

As I've been listening to my records, a pattern seemed to emerge that prompted this question - did the recording technology advance significantly between the previous decades and the mid/late '70s? Most of the classic rock records I own pressed in the '60s sound like crap compared to the classic rock records recorded in the mid to late '70s.

My Cream, Doors, Led Zeppelin, Beatles, and Jimi Hendrix records, just to mention the biggest acts, sound awful compared to Pink Floyd, Foreigner, Supertramp, Kate Bush, Rickie Lee Jones, or Fleetwood Mac records I have that were released in the '70s (and '80s). There are arguably a few exceptions, such as good pressings of some of the Led Zeppelin records, but on average any record recorded and pressed in the '60s sounds just bad compared to most records from the '70s and '80s. All of the Cream records I have are just painful to listen to - muddled, veiled, flat, and essentially garage quality.

I understand I'm making a big generalization, but seriously, I can't think of one record from the '60s that sounds really good. This puzzles me as there is a plethora of superbly recorded jazz records from not only the '60s, but also the '50s. Has anyone else noticed this?
actusreus
actusreus OP
733 posts
 
Lindisfarne,
If your comment was directed at me, I think we have a diametrically different concept of what sounds good. If you're telling me that Cream albums sound better than Fletwood Mac or Supertramp albums sound-wise, I cannot take you seriously.
raytheprinter's avatar
raytheprinter
1,234 posts
 
Very good thread! Mapman,The best sounding Hendrix LP I have(and I do not have that many) Is an old beat up original pressing of ,In the West.
mapman's avatar
mapman
22,205 posts
 
Nature of recordings then and now is similar to movies. Used to be simpler, more organic, and natural in many ways. The trend, with some exceptions, has been towards more complex. varied, and "processed". Think Cinemascope versus CGI. The good news is the older technologies and approaches are still available in newer forms plus new innovations occur all the time, so recording engineers have a lot they can and do chose from I would think. Of course, a lot is done certain ways because that is what sells. But there will always be niche markets for more specialized forms of unique art. DOn't worry, be happy! More fantastic recordings than ever to choose from and better gear by far to play it on as well. BEtter digital, better amps, better speakers, better wires. BEtter fuses? The list goes on....
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