When a Reviewer "likes" something


... what does that mean in your opinion. I read in one of the last Stereophile mags a comment from Mr. Atkinson where he wrote about the differences in "opinions" in forums or in printed mags. After all he ended with the argument, a component is good when a reviewer likes it.
Isn't is more helpful, when a reviewer knows something about a real tone reproduction? Or is it ok, when he used every month another CD or LP he got for free, a kind of music nearly no one wants to listen to?
Harry Pearson used in the 90's always the same records for his reviews but that was an exception I think.
What is it worth for you when - for example - Mr. Dudley/Fremer/Valin/HP .... "likes" something? Do you have the same "taste" they have?
I know it is possible to like a Turntable even when that unit can't hold the proper speed, or is extremely sensitive to any influences, there are endless recommendations written about such units...what is it worth for you?
Atkinson for example measures units, some have top datas but they can sound very boring, far away from the real thing, some have no top datas, some "tests" are shortened because a unit can reach a area which can be pretty dangerous (see one of the latest Agostino units, just as an example) but they are rated Class A in recommendations anyway....
When someone "knows" what is right or not, then his "liking" is only a personal opinion which is more or less uninteresting or?
Most customers (not all of course) would prefer to know what a unit is really able to do sonically, or not? Would knowledge destroy the joy of Hardware rolling? Or is there a reason why reviewers use low efficiency speakers when they have a tube amp for review (for example Lamm ML2.1/ML2.2 with Magico Speakers)? Is the matching "expensive + expensive" the proper way to show competence?
128x128syntax
I never take magazine reviews with anything more than a pinch of salt.
On the other hand, it's user reviews of a product which interest me, and it's those I try to take on board when evaluating a potential purchase.
Dear Lewm: IMHO you are wrong. I used tube electronics for many years and time to time I try it to know if something really improved down there, unfortunatelly that kind of electronic technology can't grow up due to so many limitations of the technology it self.

This is not the place to discuss/argue about, I respect your opinion but that you like to live " in the error " does not menas is the technology to go because it is not.

For the whole audio needs that thechnology is heavy faulty and you can't do nothing for support it.

Forgeret about SS technology, problem is that as you we have to learn about you need to learn about and not only been there because " I like it ". Lewm, I learned.

I only put one simple example of that faulty technology: we need a very low output impedance in amplifiers to handle any speaker. This is to handle the complex speaker impedance curve and phase because this speaker impedance curve is exactly this a " curve " with deeps and tips all over the frequency range. To handle in near perfect condition and to have an accurate frequency response from that speaker first than all we need low very low amplifier output impedance and in this regards there is no single amplifier with tube electronics that can match that low very low output impedance ( lower than 0.1 ohm better if: 0.05 ohms. ). by " nature " that technmol.ogy at amplifier level has a high output impedance so the SPL at different frequencies goes down and up according not what is in the recording but according to that speaker impedance curve given to the sound a coloration/distortions that don't came in the recording.
When we have a very low output impedance amplifier working with the same speaker we achieve flat response we add nothing to that signal because the speaker impedance curve.

That is only one of several real facts on tube electronics and the really subject that we have to worried about is that all those reviewers that are proponents on that technology never told us what is happening they as you only writed: " I like it ".

That's why I posted about reviewers corruption because they don't report nothing about and the problem is not only at reviewers level but even at manufacturer speaker level when they don't specify in the speaker manual information the impedance/phase curve of each one of their speakers designs. Why no one do it? maybe because no one asked.

Dera Lewm and friends, there are speaker manufacturers that recomended their low and complex impedance speakers to been handle by tube electronics with high output impedances in the amplifiers.
Look that I said: " handle ", one thing is " handle " where any amplifier can handle almost any thing and other one serious one thing is that can works in the right way on that speaker impedance regards.

I don't care what you, other or even me like it what I care is how to achieve how to have in an audio system the nearest quality performance level on what is in the recording adding the less and losting the less.

The relationship between speaker impedance curve and amplifier output impedance is not only a critical subject but one that makes a paromount difference when is right/matched against when is not right/matched as with tube technology.

Sorry to take that technology as an example but this example confirm, IMHO , the kind of corruption I'M talking about on reviewers.

I don't want to open any window here about electronics technologies, this is for other thread. Please, we have to stay on topic.

Regards and enjoy the music,
R.
Unfortunatelly the real speaker frequency range impedance is not a flat line and unfortunatelly too we can't do nothing against the Ohm's Law but more unfortunate is that reviewers knew and know it and never mentioned. Only through the J.Atkinson speaker measurements we can attest about.

SS technology is not perfect too but IMHO makes less harm to the recorded audio signal.

This is how the AHEE works.

R.
Lewm, wrong: I don't sale nothing. Maybe in the future. Btw, my phonolinepreamo design begun as a necessity to fulfil cartridge needs that certainly tube technology can't do it and that's all.
If in the audio market I can't find what fulfil the audio system needs then I try for whatever " road " to get it even if I have to go on the self design item. That's where appeared not only my phonolinepreamp but a tonearm, a TT mat, a headshell and maybe in the near future a cartridge too.

I don't see how is that you don't took in count my self audio trend when you already knew my way of audio item " behavior ": if does not exist then I try to create it. Maybe is because you are unaware of that my audio " attitude ".

I never been satisfied with that: " I like it ".

R.
"foisted upon us" Lewm, excellent synonym usage. Certainly one to remember, thanks.