Fremer's review of the Anna cartridge


Fremer reviews the $8499 cartridge very positively, but it takes three different samples of the cartridge for him to get there. The first sample exhibited "an incompatibility between the adhesives used and the elastomer of which the cartridge's damper is made." Fremer notes "[e]vidently, however, this problem didn't affect every Anna that left the factory." Wow, what a relief. In the second sample, apparently "some the glue that secures the stylus in the cantilever had dripped." The third sample, after 100 hrs of break-in finally delivered. Fremer suggests buying and using an USB microscope as part of the cartridge buying process.

Does anyone else think this is absolutely nuts? It seems to me, at this price level, every single cartridge should be absolutely perfect. Haven't Ortofon heard of quality control? This also applies to Lyra whose $9500 Atlas cartridge had the stylus affixed to the cantilever at an angle that made it virtually impossible to get the SRA of 92 degrees.
actusreus
Despite the impression which you may now have, there is no industry standard for SRA. None. There is more of a standard for VTA (originally decided as 15 degrees, which is the origin of Shure's "V-15" name, and later gradually revised upwards until it reached 20 degrees) than there is for SRA.

Yes. But now we have a "Standard": Fremer
That replaces everything.

If it takes them 3 tries to get it right for Michael Fremer, you can guess how much care they take in making the one they sell you.

The customer gets the most respect, the maximum care, the ultra quality control, don't worry.
Yes, nuts anyone would be buying such high priced junk. That Fremer did just not return the original cartridge and be done with it, suggests it was the price point that seduced him. Fremer fell into the hi end trap of 'the higher the price, the greater the product'. What all this tell us is that 'value' is never part of Fremer's mind set.
Actusreus, I also read this review and thought along the same lines as you. IMHO any manufacturer who is "beta" testing on the public has no right to be in business. The cartridge in question had better produce and produce from the get-go. OTOH, I have to wonder if MF was 'pulling his punches' as a lot of reviewer's are known to do. What would MF have said if instead of the third Anna being just right, it took say fifty or more before they got it right? Would that have been ok??
I know one thing, If I as a consumer, received one of these high priced cartridges and it was eliciting the same problems as the first two that MF received, i would be one mighty mad girl. Would I then go on to recommend this companies products even if they finally got it right after a few tries....I don't think so.
Does anyone else think this is absolutely nuts?

That's High End. On the other side he never checked the speed stability from his turntable recommendations...

It seems to me, at this price level, every single cartridge should be absolutely perfect.

Don't be so picky. Koetsu has normally a non straight cantilever and get one huge recommendation after the next ...

... Atlas cartridge had the stylus affixed to the cantilever at an angle that made it virtually impossible to get the SRA of 92 degrees.

Hm, cheap cartridges are bought mainly from persons who need some time to get the money for it and they are critical...other customers don't care and can afford that. They prefer stoning the messenger instead... that is much more fun :-)
Perhaps to make matters worse, in the Manufacturer's Comments section, an Ortofon rep offers absolutely no explanation or even a mention of the problems, which Fremer spends a good portion of the review on. Seems like an awful PR job on Ortofon's part.

I agree with Lewm that for most analog audiophiles the review might be of little practical interests given Anna's price category, but if the top of the heap cartridges exhibit such defects, it makes you wonder about cheaper models, and whether you actually have to get lucky to get a defect-free cartridge, rather than the other way round. That's a pretty depressing thought.

Another interesting topic Fremer writes about before he goes on to review the Anna is the stylus lifespan, and effects of playing records with a worn stylus. Extreme profile styli such as the Replicant or line-contact apparently last for not longer than 1000 hrs under ideal conditions, which seems very short to me. Fremer actually says this is the situation with most styli. For someone who listens 20 hrs a week, which I think is on the low side for many Audiogon members, that would mean that they should retip or replace their cartridge after a year! Again, that seems nuts!

Finally, Fremer says that the proposition that a worn stylus tears up records is a myth since the edges of the stylus get duller, not sharper, with use (I guess that assumes no chipping or other damage to the stylus). I regularly hear right channel noise from used records, which I've always attributed to no anti-skating being used by the previous owner, so as much as I like what he is saying, I'm not sure whether I believe it. What's everyone's take on this?