"Why will no other turntable beat the EMT 927?"
No one has countered with the question, "Why does the EMT sound the way it sounds?" Yet, many are all too willing to dismiss it out of hand. Personally, I have never heard an EMT 927, so I have no firsthand experience with it. I have studied it's design, however, and I am convinced that EMT did build a superior piece when they produced the 927. Is it the best? Tuchan thinks so. As a turntable manufacturer, I would like to believe that at least one beats it. :wink: Like everything else, your mileage may vary, and so it goes.
There are other issues here that are displayed by the notion of some that we have nothing to learn from history because it produced no true performers. To lump all vintage pieces into a single category based on age alone, and to lump all modern ones into another category for the same reason is folly, in my opinion. It would be like saying that all modern turntables are the same, and we all know that isn't true. The same goes when it comes to drive types, too.
Some turntables from the past are stellar by any measure. The Mitchell Cotter turntable is one example. It looks like a DIY project, but most modern turntable manufacturers can't begin to rival it on their best days. (That's my opinion, but not necessarily Tuchan's. LOL) The Fairchild Studio 750 is another example of a vintage force to be reckoned with. I'm sure there are others.
So, when it comes to turntables (or other equipment for that matter) we should ask why it's good, or why isn't, rather than making hasty generalizations based on age, or whatever.
That's my two cents on the subject, anyway.
No one has countered with the question, "Why does the EMT sound the way it sounds?" Yet, many are all too willing to dismiss it out of hand. Personally, I have never heard an EMT 927, so I have no firsthand experience with it. I have studied it's design, however, and I am convinced that EMT did build a superior piece when they produced the 927. Is it the best? Tuchan thinks so. As a turntable manufacturer, I would like to believe that at least one beats it. :wink: Like everything else, your mileage may vary, and so it goes.
There are other issues here that are displayed by the notion of some that we have nothing to learn from history because it produced no true performers. To lump all vintage pieces into a single category based on age alone, and to lump all modern ones into another category for the same reason is folly, in my opinion. It would be like saying that all modern turntables are the same, and we all know that isn't true. The same goes when it comes to drive types, too.
Some turntables from the past are stellar by any measure. The Mitchell Cotter turntable is one example. It looks like a DIY project, but most modern turntable manufacturers can't begin to rival it on their best days. (That's my opinion, but not necessarily Tuchan's. LOL) The Fairchild Studio 750 is another example of a vintage force to be reckoned with. I'm sure there are others.
So, when it comes to turntables (or other equipment for that matter) we should ask why it's good, or why isn't, rather than making hasty generalizations based on age, or whatever.
That's my two cents on the subject, anyway.