Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
Dear Lewm: AHEE means: Audio High End Establishment, we all belongs to it and we audiophiles are cautive into.

We customers decide almost nothing on which audio item should I buy.

Whom was whom taught to the " high end " audiophiles that MM/MI alternative did not belongs to the " high-end " but only the MC cartridges ( LOMC )?

Whom was whom taught the " high end " audiophiles that tubes electronics is the name of the game?

Whom was whom taught the " high end " audiophiles that SUT's is the way to go?

Whom was whom taught the " High End " audiophile that fix headshell tonearm design is the way to go against the removable headshell tonearm designs?

Whom was whom taught the " high end " audiophile that longer tonearms is the way to go?

Whom was whom taught the " high end " that BD TT were the road to go?

whom was whom taught the " high end " audiophile that subwoofers are for HT and for improve bass weight?

Whom was whom thaught the " high end " audiophile that a high output impedance amplifier ( tube ones. ) performs great with speakers?

Whom was whom taught the " high end " audiophile that SS electronics are cold, analitical and non " musical " ?

Whom was whom taught the " high end " audiophile the analog is way superior to digital?

Whom was whom taught the " high end " audiophile that the important subject is that normal attitude on audiophiles: " it can be colored and non accurate but I like it "?

Whom was whom taught the " high end " audiophile that accuracy, neutrality, measurements are not important but that: " I like it "?

Whom was whom taught..............., etc, etc, etc, etc,.

WHOM WAS?: yes, the AHEE. You decide on audio only what you learned and normally you learned what the AHEE taught to you over the years.

Manufacturers, reviewers, audio distributors, audiophiles, magazines and the like are the ones that created and developed the AHEE and you and me can't do almost nothing to change it to change the AHEE " trend " a " trend " that IMHO goes against a true audio high end music reproduction grow up.

Got it?

Regards and enjoy the music,
R.
We customers decide almost nothing on which audio item should I buy.

This is bogus and possibly insulting. IME people buy based on the idea that if the manufacturer's, dealer's, distributor's or reviewer's lips are moving, than he is probably lying. IOW, they rely far more on audition and their own ears, not what someone tells them. Audiophiles have been lied to for nearly their entire life ('perfect sound for ever/we make the best'); audition is really the only solution until a particular voice they know gains credibility in their eyes.

The Internet has transformed how audiophiles do things, and the 'AHEE' has had to tag along.
"We customers decide almost nothing on which audio item should I buy."

"Audiophiles have been lied to for nearly their entire life ('perfect sound for ever/we make the best'); audition is really the only solution until a particular voice they know gains credibility in their eyes."

YEp, as the wise sage Billy Joel sang "It's all about Trust".

Everyone decides for themselves what they buy and who they trust, right or wrong.
Mapman, well, I well remember visiting a physician's home where he showed me a mass of name brand equipment all on display in his living room. After a while, I asked if I could hear it. He said that he didn't have time to get it up and working. Seemingly his system was to impress people with name brands and silently. I had never before run into such a person. So maybe you should say most buy what they hear and like.
Raul, I'm an engineer and it is easy to get overwhelmed when considering all of the design issues and technical hurdles involved with music reproduction and begin to think that making any music at all is near impossible. Step back a moment and consider sound reproduction as an art more than an engineering problem. How? Well, the music begins and ends with coils. Transformers is a good name for them because they transform the live music into electrical signals and then back into live music. The process starts with the coils in the microphones and transducers and goes to the coils in the cutting stylus. The vinyl disc is simply a mechanical record of the signals generated by the coils. (The master tapes are a record of the signals from the tape head coils). The phono cartridge coils reproduce these signals from the cutting stylus coils and then goes through the coils in the preamp/amp and finally to the speaker coils. In the whole sound reproduction chain nothing is more important than these coils. Some are mass produced on automated equipment and some are wound by the hands of master craftsman. Many people will tell you that some of the most esoteric gear rely on the art of the master craftsmen winding these coils- large or small. I'm not a EE but I believe the basic audio circuits have been around for decades. The application of new components such as wiring, capacitors, resistors, isolation, etc. make for the modern improvements in audio amplifiers. Circuitry is not nearly as interesting as the design and construction of the coils of wire in the stereo chain. I believe, Raul that it goes back to the basics- the theme that I see oft in your posts- purity of signal through top notch subcomponents, isolation and dampening and a rock solid time base; ie. stable platter speed. Just offering a different perspective here.