Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
Rauliruegas said, ""I invite any one of you try to think " out the box " and I'm sure you will improve a lot your enjoying MUSIC experiences trhough each one audio system."

Thank you for that Raul, I'll feel much better after throwing away my 927 and all my records, why didn't I think of that before.

-'Well this is a different perspective to analize that EMT item where we can't change facts only because that : " I like it "

I actually love it and that's a fact! I'm pretty sure Thuchan loves his too and apparently a whole lot of other people. You seem to be infatuated by my "I like it" and ignore everything else out there. Be my guest.

-'IMHO there that touted " holly grail " is a misunderstanding about and I think almost an " insult " to today TT designers.'

You can't be serious, are you?
Raul, I think just one plain number as W&F tells you as much
about a TT as a shoe size about a girl. Sticking to it has as much sense as sticking to THD with amps. Have you ever heard a good sounding amp with 0.000000001% THD?
Just like THD is a very-very coarse grained estimation of amps' linearity and a full distortion spectrum is more informative, W&F is a very-very corse grained estimation of TT's speed stability. There is much more to that. For those who are interested in more detailed analysis and speed instability spectra here is the source:

http://www.pinkfishmedia.net/forum/showthread.php?t=70027&highlight=turntable+speed+analysis

http://www.pinkfishmedia.net/forum/showthread.php?t=128190&highlight=turntable+speed+analysis

Cheers,
b
Dear Bydlo: +++++ " I think just one plain number as W&F tells you as much
about a TT as a shoe size about a girl. " ++++++

I agree and that's not what I posted here, measurements ( today ) can't tell thw whole " history " but we can't diminished.

I prefer a mproduct hat sounds good and measured good that one that ( everything the same ) measured in poor way because goes against MUSIC and against my targets.

Could make sense to you that a TT designer design the item with out measure it, at least for curiosity?

Example: if I'm designing a TT at least I want that spins at 33 1/3 rpm/45rpm not at 36-45.8 rpm and like this other parameters independent of all the whole TT design.

We can't live with out measures, that girl you taloked about gives you itz size/measure shoes and how old are you? or what time is it? or the size of your chirt? or how many hours to fly to Hong Kong?

Accuracy, neutrality and measurements are not the " eveil " no one wants to talk, it is part of our life in any single stage of it and in audio is not the exception: like it or not.

Please, any one of you tell me why you don't want to know about accuracy or measurements on audio items because designers must do it.

Mosin here, talked about: that he alredy gone to the lmit of the idler technology about speed stability.

It makes no sense to me try to deny all those subjects that ar critical an important part on each one of us audio systems.

Regrads and enjoy the music,
R.
Dear Dkarmeli: You don't need to throw all your records, why? that's not the subject and the irony in your statement neither.

Yes, the only fact you have is subjective: " I like it ", nothing wrong with that. My subject goes beyond it and involve alot more that only that. I'm not biased in the same way you are, my take in my home audio system is to enjoy in all its splendor the MUSIC that comes in the LP grooves adding and losting the less.
To achieve that target I need accuracy, neutrality and very very low distortions ( any kind. ) at each audio link in my system. I'm trying to be nearest to the limits/boundaries of LP experience, be nearest to " perfection " because first than all I'm a music lover and not a harware lover that's only a tool to enjoy the software named MUSIC.

Dkarmeli, the difference between each one of us reside in what kind of distortions we like. Btw, I don't like any kind of added distortion/colorations in my system, I already posted: is more than enough all distortions/colorations that already comes in the LPs to not take care in deep where the cartridge signal must pass and try to avoid signal degradation.

Regards and enjoy the music,
R.
Raul, I agree with you about the importance of measurements and I'm sure that tt designers use them to develop their products. One well known and enthusiastic member of these forums even advocates auditioning turntables with a Sutherland Timeline strobe in pocket. That way one will know very quickly if a turntable at a dealership (or friend's house) meets one of the essential targets of all turntables.

I also think your description of the analysis of audio components as being both objective and subjective is right on. But I see nothing wrong with someone thinking "I like it". This sounds subjective, but it may also be supported by the notions of accuracy and neutrality. Speaking only for myself, "I like it" when my system improves with changes and sounds more and more like the real thing. Low distortion and speed accuracy certainly contribute to it sounding natural.

Has anyone tested the EMT 927 with a Timeline?