I deeply appreciate the depth of the comments being made here (with an obviousl exception of one participant). In the past 40 years that I have lived with/created/compared the Strain Gauges I have made and those that have been made by others, I have become all too aware that nothing is perfect. It is always a balance. At the recent Axpona show where I was asked to do a seminar on cartridge design (available on Vimeo.com - under "Reproductive Private Parts - of a phono cartridge) I attemtped in a limited time to explain some of the challenges. One interesting moment in our show room was playing a new test pressing that was said to be wonderful. With the Strain gauge, the peaks were distorted. I immediately thought I had not set the Schoeder arm up well, but decided to play some other reference disks I brought. No problem. Hmmm.
Then played the disk with the Hyperion. No distortion.
It seems that the SG continues to share the space between that of a research device for analog, and that of a delightfully revealing and differrent animal. For 5 days out of the month, I prefer listening to the Hyperion. All of the other time I am dragged over to the revelations of the Strain Gauge system.
Being a designer, it is hard to not be tuned in to listening for flaws - anywhere and everywhere they exist. For me, it is to the Strain Gauge's credit that it drags me back to the music most of the time, which is what drew me in way back when.
Peter Ledermann/President/Soundsmith
Then played the disk with the Hyperion. No distortion.
It seems that the SG continues to share the space between that of a research device for analog, and that of a delightfully revealing and differrent animal. For 5 days out of the month, I prefer listening to the Hyperion. All of the other time I am dragged over to the revelations of the Strain Gauge system.
Being a designer, it is hard to not be tuned in to listening for flaws - anywhere and everywhere they exist. For me, it is to the Strain Gauge's credit that it drags me back to the music most of the time, which is what drew me in way back when.
Peter Ledermann/President/Soundsmith