My new Soundsmith Straingauge cartridge


Well, after a bit of dillying and dallying, I finally got 'round to trying a home trial of this cart. After a couple of hours dialling in vtf, and esp. azimuth, it basically sold itself, and I bought it an hour later!
It's without doubt the fastest cart I've ever experienced, surpassing the Decca London Reference, but with none of that cart's tipped up 'whiteness'. But this blazing speed is combined with the natural sweetness of the Lyra Parnassus. It has the neutrality of the Transfiguration Orpheus with the dynamics and involvement of the ESCCo-modded Zu Denon 103. So, fast AND sweet, and neutral AND involving, combinations often too challenging for other so-called SOTA carts. All the carts I've mentioned I've had in my system over the years. But I admit, I haven't heard current contenders to the crown (Lyra Titan/Atlas, Ortofon Anna, Clearaudio Goldfinger etc) to make comparisons.
It's tracking really is superlative, 3d soundstaging/dimensionality is beyond the room constraints, and I really believe it has the least artifact-laden sound of any cart I've heard, with NO aural evidence of a diamond carving thru wax. It's really complimenting what's already a neutral, fast and dynamic analog rig in my system (Trans Fi Salvation direct rim drive tt/Trans Fi Terminator air bearing linear tracking arm)
spiritofmusic
Spiritofmusic, really glad you are so open-minded compared to most, who have to say "it is technically, engineering-wise, and sonically perfect and beyond reproach (because I bought it said under the breath).

That you love it is great....that it brings you closer to the music is great. Enjoy, have fun, I hope you continue to love it.

How much did it cost?
Omsed, the installer is coming over to fine tune the cart. I'll talk about apparent bass leanness with him.
My opinion is that the cart is so quick, bass notes have substantially less overhang than any other I've had in my system, and this could be construed as lightness. Anyhow, it's an area that I'm keeping an eye/ear on. Personally, I'm loving the lightning speed of my analog rig now, feeling it matches the neutrality of my excellent cd player.
Price is $4300 in the UK, c$6500 US.
This is the first time I have read this thread, and I did so from top to bottom, as I recall reading about Peter's SG designs in a UK HiFi magazine about ten years ago while attending an audio show in San Francisco and taking a lunch break at a nearby restaurant with friends. Passed by Michael Fremer (not too tall) and Richard Vandersteen (taller) in the halls a couple of times.

A few comments about the above "discourse" come to mind:
- Raul, you can't write English to save your life; I can't understand what the hell you're talking about and even why you get so bent out of shape about another designer's approach to cartridges. So what? Give it a rest; there is no RIGHT or WRONG in this industry. It's technical design and execution for ART'S SAKE!
- If there was as much passion among the general public as there is expressed in this forum about the technical aspects of components designed to reproduce the artistic and emotional content of music, there would be audiophiles on every street corner. But, sadly, such is not the case.
- Spiritofmusic: I don't understand why you have to have anyone come over to "fine tune" your cart. That seems to be utter nonsense to me; you should be able to master this tuning yourself if you are going to own and operate such componentry. I would never own audio gear that I would not be comfortable learning, commanding and controlling all adjustments for.
- When the above examples of equipment focus take center stage over the real-time enjoyment of music, "Houston: We have a problem..."
- I am a hypocrit for even venturing to respond to this thread in the first place, therefore, carry on...
Steve, The dealer is actually coming over to install a new cart, the one in my system being the shop demo version, so a little beyond 'finetuning' (my incorrect choice of words).
I'll freely admit, my knowledge of cart setup is poor (and engine tuning too, hence my handsomely paid car mechanic!), and since this cart needs v.careful adjustment of azimuth in particular, I'm happy leaving it to the person I'm handing £4300 over to.
Steve, English is not Raul's native language.

Spiritofmusic, Is your dealer planing to set up the cartridge before it has broken-in or is he simply going to install it with proper alignment? I would think that he would wait some time for the suspension to loosen before he does the final adjustments, especially if azimuth is so critical. My dealer installed my cartridge and then came back after 40 hours to readjust and fine tune.

To Steve's point, my dealer (and others) have taught me a lot about analog set up and adjustments. It is worth the effort to learn how to do a reasonable job yourself as I think this will provide its owns rewards and for many vinyl lovers, it is an integral part of the hobby.