Question for classical lovers


First of all, I grew up listening to classical and jazz, vinyl for the most part, I remember it being pleasant with no fatigue. Later, with low end gear, it was impossible to listen to classical CDs because of the edgy harsh strings. Now with respectible entry level or mid-fi gear that I have tried or auditioned, some of the recordings sound great but majority still suck. I have added tube preamps like AI modulus and Van Alstine in the chain but the problem still exists. So are the majority of CDs just bad digital recordings or transfers or is most gear out there just incapable of handling complex musical passages? Also, quite a few SACDs out there make me and my dog cringe!(must be the 100Khz response or whatever) Do I sell one of my cars and buy some exotic gear or ditch it all and get a TT?
rotarius
Kr4, glad you confirmed the poor quality of the LSO release. It's such a hit or miss thing for me becasue all my purchases are done online. I live in Oklahoma, not exactly the classical Mecca of America, I am surrounded by country music, aaarrrgggghhhh! Anyway, I just discovered the Linn website thanks to you.
Lousyreeds1, I have to agree with you there, too much music to ignore that's why I might have to have vinyl in my set-up and pay closer attention to the reviews on this website.
Rotarius, Here's a project for you if you really want help and honest commentary from a lot of folks here who are seriously qualified to help........

List all of your present equipment including speakers. Describe in detail how you have your equipment and listening position set up, down to the inches. Describe your room HxWXL. Describe openings. Describe wall's and decorations. When discussing tube equipment ID the tubes being used (can make a big difference).

And, think again about your memories. They may not be based on anything much more that events in which you really wern't paying much attention to the quality of the sound - more likely you were just enjoying the music.

Lastly, without knocking LP's whatsoever, there is a lot of dreck on vinyl as well as CD's. And matching analog components, setting them up and maintaining them, can be in the long run a lot more challenging than setting up a decent CD based system. Vinyl may well be better on some recordings and in some systems, but it ain't the quick and easy cure some would think and make you believe.

FWIW, you can get high quality CD sound with modest equipment if you pay attention to the set up of your room and speakers. If you don't do this first even the best equipment can sound like crap and likely will. Think high frequency distortion caused by improperly damped 1st reflection points, mid/high frequency glare or emphasis caused by listening to the speakers not properly positioned toe in wise. The list goes on.

But in the end how you proceed is your choice. I appoligize if this sounded negative or like a lecture. It wasn't so intended.
Lousyreeds, I noticed you said you live in Oklahoma. So do I, in the Oklahoma City Area. If you live around here, you are welcome to drop by and see how things sound in a different system. My system is biased towards the LP though. I have a few classical on vinyl and maybe you can compare to a CD. Good luck on solving the edgy strings.
Rotarius, Here's a quick response. If your tweeters are metal domes, and your amp is solid state, to my ears that is a surefire recipe for premature onset of listening fatigue. I just don't like metal dome tweeters (even expensive ones), and now that I've "got religion" I'm a believer in tube amps and preamps and wouldn't go back to solid state. I'm a longtime classical CD guy, although my friends Rushton and Albertporter are longtime vinyl guys; we don't need to relive the endless digital vs. analog argument here. But for what it's worth, and not knowing any more than I do about your setup, I'd suggest that something other than metal dome tweeters and solid state amplification would be a step in the right direction, and I second the suggestion that addressing room acoustics with a view to softening and damping them is a good idea: a hard, bright, reflective room is bad news, obviously, and tends to reinforce what people don't like about digital sound. Soft, heavy, overstuffed furniture, heavy carpets, heavy drapes, bookshelves loaded with books--all these help, and in addition of course there are those audiophile acoustic room-treatment products. Good luck and let us know how you fare.
When you clap your hands in your room does it give off a harsh glaring high pitched echo? just checking.

I agree as good as SACD is - there is something about the high frequency of it that can be harsh even on a good recording. I also heard my dealer talking about something about SACD high frequency and why it is sometimes hard to listen to, but I don't remember the details as to why.

Classical has some of the better recording out there. Try finding rock music that isn't bright.