Which Patricia Barber album floats yer boat?


As far as my knowledge is concerned and from all the reading that I do, “Blood on the tracks” by Bob Dylan is considered to be his best album by far. For Joni Mitchell it is “Blue”. What really amazes me is that there is no general consensus on which album of Patricia Barber is the best. Some prefer “Modern Cool”, some “Companion”, some think “Nightclub” is her best album! I think it is “Café Blue” Why? Cause the two tracks numbered 9 (Too Rich for my blood), and 11 (Nardis) strike a chord in me like no other songs of her. They have the energy which seem to ooze out from the system in spades.

Which album of Patricia Barber floats yer boat and why?
128x128quadophile
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My favorite category of music is female jazz vocalists and
I enjoy Patricia Barber. Her voice is unique and she has
a terrific band. I only have 2 of her albums, Modern Cool
and my favorite because it's live, A Fortnight in France.
I'll be buying more, paricularly Split based on the posts.

Rick
It's a coin toss between Modern Cool and Companion. Her recordings are wonderful. I find that I can't listen to her for as long as say: Ella, Eva, Billy, Anita and the like. Her voice begins to rub me, plus she gets a tad over dramatic or overkill in the vocal. She plays a not too bad piano, certainly better than Krall. But who doesn't play better than Krall? I have all her cds, but quite a few dogs.

Modern Cool live? Man it has been awhile, I thought Companion was her live album.
I took all the songs I like (a lot) off of the four cd's I own and put them on my hard drive...that way I skip the strange stuff that I can't seem to get into.

I did the same thing with the Doors, now they had some strange songs...I love um though!

Dave
I find Barber boring actually. I feel Barber records are for ''audiophiles and gear lovers'' mainly as the sonics are usually pretty good, and show a wide range of what audiophile tricks can be performed with most audio gear.

I for one, find her quite boring on a musical, vocal, and emotional level. Come tho think of it, Diana Krall and SNorah Jones have the same dulling effect on me. And it's not that I do not like female vocals, I do, and I enjoy a wide variety. It's like classical music, everyone starts with the Pachelbel Canon as their first taste, and the accompanying sense that ''hey, I'm an expert now! '' but when you REALLY start scratching beyond the surface, there is a World of talent out there, and you are reminded that the most famous are not necessarily the best. It's all a matter of taste of course....I wanted to respond as I for one am getting a bit tired of all the Barber discussions that come up everywhere, on the Web and in printed mags, everytime audiophilia is discussed.