OK, I'll bite. If the music is good, from moment to moment I don't know what is coming next.
This doesn't hold true for recordings I've listened to many times, obviously. For these, I think what makes them "good" is the elegance I perceive in the artist's solutions to the problems posed by the musical structure.
If that doesn't make sense, what I mean is this. Each musical moment is a statement. The next moment has a relation to it. The artist's decisions about these relations are what I am calling solutions to problems. The sum of all these relations or connections is musical meaning.
Somebody has said the above, and more, much better elsewhere, but hey, I bit.
This doesn't hold true for recordings I've listened to many times, obviously. For these, I think what makes them "good" is the elegance I perceive in the artist's solutions to the problems posed by the musical structure.
If that doesn't make sense, what I mean is this. Each musical moment is a statement. The next moment has a relation to it. The artist's decisions about these relations are what I am calling solutions to problems. The sum of all these relations or connections is musical meaning.
Somebody has said the above, and more, much better elsewhere, but hey, I bit.