Anyone know of a good pressing of Stickey Fingers?


Is the MFSL LP a big improvement over the standard pressings?
I've always loved this record, but the sound is typical 70's dreadful.

Carl
czapp
Any tried any of the SACDs? Ive had my hands on them a couple of times but always felt short on cash.
Agree about the MoFi. I bought mine some 20 years ago, and was amazed at how the sax solo in "Brown Sugar" sounds like a kazoo. (I kid you not!)
I can tell you to stay away from the dreadful EMI 180 g. reissues of Exile, Sticky Fingers (there's another, too -- there were three) that came out about six years ago. It was done by a great masterer like Ricker or Ludwig (I think Ricker), but he admitted that there were problems with them (something about a record company bean counter somehow mucking it up). They are so bad that the catalog houses that carried them started putting out disclaimers.

I use my EMI copy of Sticky Fingers only for "Can't You Hear Me Knockin" -- the opening riff tells me if I've got the left/right channels straight on my turntable.
Davetherave, I just finished comparing the mofi to my original US pressing, and was also about to post that the thin-sounding sax on the mofi sounds like a kazoo, when I read your post! The original US pressing is more full-bodied and organic. More life in the presence region, and more revealing of background detail. But neither version does ultimate justice to the Stones.

Lucas, the SACDs are great. I particularly like Satanic Majesty. The SACD brings out all kinds of details buried deep in the mix.
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