I love Built To Spill so much that I don't care how bad the mastering is. How can you tell that the problem is in the mastering stage? That also just seems so weird to me that someone would avoid a great music release because the sound is a bit off. I guess I'm more a music fan than a system fan. I'm planning on picking up the vinyl so I will compare them. One tip though...buy it asap because all of Built To Spill's vinyl becomes instantly collectible and usually goes for big bucks.
Mastering for CD vs. Vinyl
I just purchased BUILT TO SPILL's "YOU IN REVERSE" on CD and while the music is good the mastering of this CD makes it virtually un-listenable. This is by far the worst sounding record that I've purchased this year.
There is a double LP planned for this album but I don't want to waste another $17 just to get the same lousy production in a different format.
Note: the bad-sounding CD isn't a 'digital' problem, it is a case of absolute incompetence in the studio.
There is a double LP planned for this album but I don't want to waste another $17 just to get the same lousy production in a different format.
Note: the bad-sounding CD isn't a 'digital' problem, it is a case of absolute incompetence in the studio.
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- 7 posts total
- 7 posts total