Just a few: Richie Beirach, Steve Kuhn, Keith Jarrett, McCoy Tyner
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I've discovered a few new players since I posted to this thread last year. They include: Esbjörn Svensson - Svensson passed away last June, a week before I was set to see him at the local jazz festival. A real tragedy for a such a young and promising musician. Nik Bärtsch - another ECM label musician who doesn't dazzle with technique but mesmerizes with subtle patterns, amazing groove and stunning dynamics. Geoffrey Keezer - another young (under 40) pianist who's played with tons of people and has a number of releases under his own name. Brad Mehldau - seeing him live changed my perception about what (good) jazz is all about. I prefer his work with his trio to some of his dates with other players. Aaron Parks - a very recent discovery, this guy has an album out titled "Invisible Cinema" that is brilliant. John Taylor - another vote for Mr. Taylor. Some of his music can be quite difficult. I have him on some releases under drummer Peter Erskine's name. Alan Pasqua - ex-Miles keyboardist. He's released a couple of CDs in the past few years - one very beautiful trio release ("My New Old Friend") and one that channels the Miles' days ("The Anti-Social Club). |
I guess we would be totally remiss if Don Shirley did not get a nod here. From jazz to classical this pianist is one of the most gifted. Biography by Al Campbell Pianist, composer, and arranger Don Shirley was born in Kingston, Jamaica, on January 29, 1927. He began playing piano at age two and seven years later had developed his skills so rapidly, he was studying theory at the prestigious Leningrad Conservatory of Music. Shirley made his concert debut with the Boston Pops in 1945, while the following year the London Philharmonic Orchestra performed one of his first major compositions. In the ensuing years between 1954 and 1968, Shirley performed as a soloist and as a member of several symphonies, including the Boston Pops, Detroit Symphony, Chicago Symphony, and the National Symphony Orchestra of Washington. Shirley also composed several organ symphonies, a piano concerto, two string quartets, and numerous pieces for piano. His musical language also encompassed tastefully mastered combinations of standards, show tunes, ballads, spirituals, and jazz performed with his own trio. Incredibly, Shirley also found time between performing and recording to obtain a doctorate of Music, Psychology, and Liturgical Arts. Throughout the '50s and '60s, Shirley released numerous albums on the Cadence label. In 1999, Collectables began reissuing several of those albums as two-for-one sets. In a trio or quartet jazz setting he can hold is own with the likes of Oscar Peterson, Bill Evans, Ahamd Jamal, Barry Harris and others. He has not seeked the stardom of so many others and his discography is not that deep. But what there is recorded is spectacular indeed and well worth seeking out. In my opinion two of his best works are Piano Perspectives and Drown In My Own Tears on the Cadence Label in vinyl. |
Robert Glasper http://www.youtube.com/watch?v=zDcjzdrkHDE |
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