Records that made you reassess your music beliefs


I have just stopped listening to Tony Williams Lifetime's Emergency and was as intrigued and absorbed by the music as the first time I heard this record. This was one record that truly changed my conception of what music was supposed to be. Just curious, what records altered your state of mind (in their own right, that is, without, er... "help") We're not talking about your five best or the ones you'd take with you to a deserted island. Indeed, some of them you may not have liked right away or still find awkward, but they may have broken seals, opened gates,... you get the gist. Try to limit it to, say, a half dozen to single out the real mind-benders (any style or category).

To me, they were - more or less in historical order:

Ten Years After, "Watt": my first TYA, indeed, one of my very first records. I always found it had "something" more than any TYA before or thereafter. Until that time, rock had meant Purple, Sabbath, Earring etc. From that time on I belonged to not even a handful of guys with different tastes than the rest of class.

Yes, "Fragile": now this is one I would take to the island with me even today. So different, yet one I loved instantly. Made me ready for Crimson, Floyd, the Canterbury lot and beyond.

Weather Report, "Sweetnighter": a serendipitous discovery, I taped this inadvertedly and was fascinated from the first notes. The advent of jazz to me. Sure, I'd heard big band stuff on the radio before, but that had never remotely inspired me. With this, I had really left my class mates' orbit.

Emerson, Lake & Palmer, "Pictures at an Exhibition": I didn't know what to make of this first. Were these the guys that had done "Lucky Man"? Purists may abstain, but in the end this record led the way to classical music (and wouldn't you know it, still with Russian bias). Later, I had the opportunity to witness ELP's spectacular virtuosity live (together with Zappa, one of the best two concerts ever).

Tony Williams Lifetime, "Emergency": fascinating though not my favourite from the start. It took getting used to but this one pushed my "jazz-limit" considerably. Another electric one, but without this, I would not have made it to jazz in all its shapes and colors from bop to contemporary.

Captain Beefheart, "Trout Mask Replica": wasn't prepared for this shocking experience. I had heard the Captain with Zappa with great pleasure, this however was startling! To be honest, I hated the record. What it said, though, was: just let it in, you're never finished there is more to dicover. Lots of more or less bizarre stuff afterwards, but this was the eye-opener.

Don't we have the best of all hobbies!
karelfd
Highway 61
Sgt. Pepper
Electric Ladyland
Abbey Road
Close to the Edge
Thick as a Brick
Dark Side of the Moon
Goodbye Yellow Brick Road
Countdown to Ecstasy
Heart Like A Wheel
Speaking in Tongues
Graceland
Out of Time
In Rainbows
kinda hard to do, there are different reasons for each of these, and there are probably more I could list.

Fragile (Yes)
Madman Across the Water (Elton John)
Harvest (Neil Young)
Led Zeppelin IV (Led Zeppelin)
Court of the Crimson King (King Crimson)
Red (King Crimson)
Songbird (Eva Cassidy)
Electric Ladyland
DSOM
Ziggy Stardust
The Pat Metheny Group (White)
Dire Straits
Outlandos d'Amour
Steve Tibbets - Yr
Chris Whitley - The Din of Ecstasy
Moody Blues/ On the Threshold of a Dream
In the Court of the Crimson King/ King Crimson
Love/ Forever
Free/ Fire and Water
Howlin Wolf/ The London Sessions
Led Zeppelin/ I,II,III
The Beatles/ Srgt. Pepper and Magical Mystery Tour
Chicago/ I and II
The Band/ The Brown Album
Tom Waits/ Swordfishtrombone
Miles Davis/ Pangea and Agartha
The Rolling Stones/ Beggars Banquet

These are just a handfull of recordings that changed my attitude on music for whatever reason. Some are introductions to an artist(Swordfishtrombone) and after hearing it I went out and bought other recordings of them and then looked for similar artists with similar styles.Some because the artist was treading in new and unknown territories and some because well in the case of Chicago horns can rock too and their first and second albums proved that.
Karelfd,
Sweetnighter stuck out as a great Weather Report record for me too. You might really dig the cover of Boogie Woogie Waltz by Ayers Rock (if you can find it).

Zappa- Hot Rats (Can't beleive this at first sounded like random honking noise)

Miles Davis- Jack Johnson

Captain Beefheart- Trout Mask Replica

King Crimson-Larks Tongues In Aspic (seemed clinical precise...way heavier than most hard rock from 73')

The Music Improvisation Company (ECM 1970, amazing display of unconventional skill and weirdness... had to move some boundaries to get this one to sink in at all)

Can- Tago Mago/Ege Bamyasi/Future Days (Big evolutionary step in psychedelic music)

Hendrix- Are You Experienced (The big bang for rock guitar)

Terje Rypdal- Whenever I Seem To Be Far Away (long slabs of electric bass, somber french horn and mellotron backdrops w/ superb narcotic electric guitar, came out long before new age and is way more real and powerful)

Nirvana- Nevermind (Thought the whole three chord garage band vein had been completely mined out... WRONG!)

Tipographica- Tipographica (If FZ's instrumental work opened the door... these guys found a couple of new rooms, amazing poop).

Massacre- Killing Time (A %$#+!!! warehouse of twisted scary mind frying bass/drum/guitar ideas.

Trettioariga Kriget (first record has cool structures, percussively way ahead of most rock stuff in 73'. Got it 'cause a catalog descibed it as astoundingly complex guitar dominated rock (it is), but it's not wankery or shred. Alot of the passages will stick in the head after a few listens. It pre-dates and dwarfs most metal stuff that fills the racks.