Halcro,
Well beyond the question of compression, piano is a pain in the ass to record.
As noted in an earlier post, close miking and ambient miking both have their advantages, neither is perfect, and combining the two is an art unto itself. I once "executive produced" (read funded) a recording session for a friend who is a prominent LA based French Horn player, so I attended some of the sessions. After struggling mightily to get the piano sound right, and waiting for a take that everyone liked, we finally got one. Given the time and effort that had gone into getting that track down, there was a real sense of relief in the booth. Then, playback revealed a squeaking bench!
Trust me, more time was spent on getting the piano to sound right than on everything else combined.
Marty
Well beyond the question of compression, piano is a pain in the ass to record.
As noted in an earlier post, close miking and ambient miking both have their advantages, neither is perfect, and combining the two is an art unto itself. I once "executive produced" (read funded) a recording session for a friend who is a prominent LA based French Horn player, so I attended some of the sessions. After struggling mightily to get the piano sound right, and waiting for a take that everyone liked, we finally got one. Given the time and effort that had gone into getting that track down, there was a real sense of relief in the booth. Then, playback revealed a squeaking bench!
Trust me, more time was spent on getting the piano to sound right than on everything else combined.
Marty