Dismissing Leonard Cohen as "pretentious dribble" (I presume you mean drivel) strikes me as awfully harsh. His particular genre ("contempopary art song" is probably as good a description as any) may strike some as pretentious in general, but Cohen is awfully good at it. Tom Waits is an interesting talent - no argument there -, but I suspect that you're in the minority as to his relative lyrical ability vis a vis Cohen. John Marks (IIRC) of Stereophile has written pretty extensively on Cohen and contemporary art song and offers some interesting insights.
You're certainly entitled to your opinion, but IMHO (and just IMHO) you're off base on this one.
Marty
My personal favorite nomination so far is Edge from U2. I just saw the dvd "It Might Get Loud" with Edge, Jimmy Page, and Jack White. Page and White were always looking to (essentially) unadulterated blues for inspiration, while Edge was stroking a giant battery of effects boxes. I kept waiting for White to ask "Who let this guy in here?"
You're certainly entitled to your opinion, but IMHO (and just IMHO) you're off base on this one.
Marty
My personal favorite nomination so far is Edge from U2. I just saw the dvd "It Might Get Loud" with Edge, Jimmy Page, and Jack White. Page and White were always looking to (essentially) unadulterated blues for inspiration, while Edge was stroking a giant battery of effects boxes. I kept waiting for White to ask "Who let this guy in here?"