Mahler. Complete Recordings on Deutsche Grammophone. Bernstein. Volumes I and II.
This is an overwhelming set. In college, I saw Mahler 2 in Cleveland, and I was overwhelmed. No one told me classical music could sound like this.
Mahler was an absolute composing genious. His orchestration is utterly unique. His music is about life and death, love and loss. It reaches the heights of God and man, and the depths of sorrow and despair.
This set has historical importance. Leonard Bernstein may be properly credited with interpreting Mahler for the modern world. He opened the world of Mahler to many with passion and total conviction. Sure, there were others composers before him (ie. Horenstein, Walter, Klemperer, Mitroupolos, Scherchen), but Bernstein, in my view, brought Mahler into real global popularity. Bernstein embraced all of the work, not just a piece here and there. I cut my teeth on this set for all Mahler symphonies, and I still get choked-up listening to it.
Bernstein plays these symphonies 'to the hilt', and gets away with it. He is able to extract every ounce of emotion and drama without sounding mannered. His 'heart-on-sleeve' approach is not the only point of view, but I find it highly effective and suitable. Bernstein also gets incredible playing from the New York Philharmonic, an orchestra led by Mahler himself for a few years.
Bernstein recorded these pieces for Sony and for DG. You will find proponents for each recording. I have several shelves of Mahler, attesting to the concept that their is no single best interpretation. Nonetheless, Bernstein's DG set makes a wonderful introduction to these symphonies with maximum impact. Mahler is less approachable from the first listen than Tchaikovsky, but after several listens, it all falls into place. Familiarity definitely helps here, so don't give-up without a few listens. These pieces also have huge sonic impact, and will satisfy the most discriminating audiophile.
This is an overwhelming set. In college, I saw Mahler 2 in Cleveland, and I was overwhelmed. No one told me classical music could sound like this.
Mahler was an absolute composing genious. His orchestration is utterly unique. His music is about life and death, love and loss. It reaches the heights of God and man, and the depths of sorrow and despair.
This set has historical importance. Leonard Bernstein may be properly credited with interpreting Mahler for the modern world. He opened the world of Mahler to many with passion and total conviction. Sure, there were others composers before him (ie. Horenstein, Walter, Klemperer, Mitroupolos, Scherchen), but Bernstein, in my view, brought Mahler into real global popularity. Bernstein embraced all of the work, not just a piece here and there. I cut my teeth on this set for all Mahler symphonies, and I still get choked-up listening to it.
Bernstein plays these symphonies 'to the hilt', and gets away with it. He is able to extract every ounce of emotion and drama without sounding mannered. His 'heart-on-sleeve' approach is not the only point of view, but I find it highly effective and suitable. Bernstein also gets incredible playing from the New York Philharmonic, an orchestra led by Mahler himself for a few years.
Bernstein recorded these pieces for Sony and for DG. You will find proponents for each recording. I have several shelves of Mahler, attesting to the concept that their is no single best interpretation. Nonetheless, Bernstein's DG set makes a wonderful introduction to these symphonies with maximum impact. Mahler is less approachable from the first listen than Tchaikovsky, but after several listens, it all falls into place. Familiarity definitely helps here, so don't give-up without a few listens. These pieces also have huge sonic impact, and will satisfy the most discriminating audiophile.