Windham Hill an audiophile label?


I've been revisiting all of the early Windham Hill Records releases as part of a project detailing the Windham Hill Discography (you can see the site at http://windhaming.wordpress.com )

In my project I reprint all of the original liner notes and credits, and I've recently interviewed Harn Soper and Russell Bond of The Music Annex in Menlo Park where many of the classic Windham Hill albums were recorded (George Winston's Autumn, to name one.)

A typical Windham Hill album from 1980 to 1986 was:
- recorded direct to two-track, with minimal or no reverb at 30 inches per second
- Mastered by Stan Ricker at Mobile Fidelity Sound Labs
- Matrixed and pressed at RTI - Record Technology in Camarillo, CA
- Pressed using Quiex vinyl.

What do you think? Are any Windham Hill albums an important part of your audiophile collection? What are your observations on the sound?

(As an aside, I've also heard that they released original reel-to-reel recordings recording in "real-time" directly of the masters, and were a leader in chromium cassettes. Interesting details.)
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I was in college during most of the period you referenced and had the following on vinyl:

WH-1014 - Passage - William Ackerman [1981]
WH-1017 - Breakfast in the Field - Michael Hedges [1981]
WH-1030 - Southern Exposure - Alex De Grassi [1984]
WH-1032 - Aerial Boundaries - Michael Hedges [1984]

I was just starting to get serious about my gear during those days. I had an Onkyo TA-2090 that was a highly regarded cassette deck at the time and had transferred most of my vinyl to tape, as I refused to bring my gear into the dorms. Enjoyed listening to mix tapes of many selections from these albums as study music.

Yes, they were well recorded albums at that time. The importance to me was that they were selections I used in my learning process while experimenting with quality source reproduction.
A couple from Youtube. There are many more.

Watchtower
http://www.youtube.com/watch?v=xV_zXdvK_0g&feature=related

Harp Guitar
http://www.youtube.com/watch?v=jN3439l4HR0&feature=related
Some great responses.

Listening to all of the releases again has made me appreciate the music anew. Most of the albums sound great, and I've found all but one or two very worthy musically.

I've found that listening on vinyl and turning up the volume makes for some fairly intense listening. My wife, on the other hand, loves Windham Hill, but does treat it like background music.

Some standouts:

Michael Hedges, Aerial Boundaries - One of the great albums of all time. Hedges redefined acoustic guitar. I believe this is up there with Kind of Blue, Dark Side of the Moon and Sgt. Pepper as a must have for any music lover.

Alex de Grassi - Turning: Turning Back and Slow Circle. Terrific solo guitar.

An evening with Windham Hill Live - Various Artsts. Great cross-section of music, well recorded, and upbeat.

Shadowfax - Shadowdance. Fusion - with an eastern touch.

Liz Story - Solid Colors. If all new age piano were like this, it would be redefined as modern classical compositions.

George Winston - Winter Into Spring. I know, Autumn is the favorite, and may be the better album, but I've played it too death, and Winter Into Spring seems to hold up better.

I've also had a few surprises with the catalog - Robbie Basho is awesome and intense. His vocal album Visions of the Country was never re-issued, but is worthy, and unlike anything else on Windham Hill. David Qualey's Soliliquy is a classically-influenced album that still sounds fresh and thoughtful.

In short, if it's been a while since you've played your Windham Hill albums, take them out for a new listen.
My sisters boyfriend used to own a house in Belmont CA which his parents will'd to him. He built a recording studio in the house which a few Windham Hill recordings were done. The place became so popular that he got bought out of the house he grew up in.
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