Ingrid Haebler. Although she is not the greatest pianists but she is definitely my favorite one.
Most pianists either demonstrate their super human skills (Horowitz & Brendel), philosophical readings (Schnabel & Kempff) or witty personal interpretations (Gould & Gulda). Some pianists even exercise overpoweringly showy tone in recordings and performances to prove their capabilities (contemporary Lang Lang and his prior generation counterpart, Richter).
Not Haebler! Limited recordings available to us indicate her subtle and sensible touch on keyboard. She leads you to the most inner core of music in such a neutral way that you just glide with the flow of music. No weight burden, nor compass direction. Free from any conscious activities of mankind. Thats the very point I admire her. Great music should come to you not the other way around. By this perspective, Haeblers achievement is unsurpassable.
Only aged Serkin in Beethovens last 3 piano sonatas provides us a glimpse sense of such liberty.
Most pianists either demonstrate their super human skills (Horowitz & Brendel), philosophical readings (Schnabel & Kempff) or witty personal interpretations (Gould & Gulda). Some pianists even exercise overpoweringly showy tone in recordings and performances to prove their capabilities (contemporary Lang Lang and his prior generation counterpart, Richter).
Not Haebler! Limited recordings available to us indicate her subtle and sensible touch on keyboard. She leads you to the most inner core of music in such a neutral way that you just glide with the flow of music. No weight burden, nor compass direction. Free from any conscious activities of mankind. Thats the very point I admire her. Great music should come to you not the other way around. By this perspective, Haeblers achievement is unsurpassable.
Only aged Serkin in Beethovens last 3 piano sonatas provides us a glimpse sense of such liberty.