Hi Fripp1,
Regarding the comparison of the two Gentle Giant-Octopus discs, the sound is quite different. On reflection, I am amazed at how an identical performance can be depicted in such a dissimilar way.
The Repertoire disc is much louder so on first assessment the SHM-SACD disc sounded lifeless but compensating for the disparity in volume revealed an amazing transformation. The SHM-SACD disc exhibited three-dimensional information and warmth not revealed by the Repertoire CD and the bass was greatly improved on the SHM-SACD as well. On the top, it seemed the sky was the limit. A very free and open audio spectrum remained for the artists to reproduce their aural images. In contrast, the CD sounded compressed, as if an attempt was made to control the wildly fluctuating dynamics of the original recording.
At realistic volume levels, the SHM-SACD produced scarcely a trace of listening fatigue but the same cannot be said of the Repertoire CD; after just a few songs I grew tired of listening to it at such high volumes.
I remember purchasing a 45-rpm single of a John Lennon song, it was either Instant Karma or Cold Turkey and stamped on the label were the words, Play Loud. This is good advice in the world of SHM-SACD.
All the best,
MikeC
Regarding the comparison of the two Gentle Giant-Octopus discs, the sound is quite different. On reflection, I am amazed at how an identical performance can be depicted in such a dissimilar way.
The Repertoire disc is much louder so on first assessment the SHM-SACD disc sounded lifeless but compensating for the disparity in volume revealed an amazing transformation. The SHM-SACD disc exhibited three-dimensional information and warmth not revealed by the Repertoire CD and the bass was greatly improved on the SHM-SACD as well. On the top, it seemed the sky was the limit. A very free and open audio spectrum remained for the artists to reproduce their aural images. In contrast, the CD sounded compressed, as if an attempt was made to control the wildly fluctuating dynamics of the original recording.
At realistic volume levels, the SHM-SACD produced scarcely a trace of listening fatigue but the same cannot be said of the Repertoire CD; after just a few songs I grew tired of listening to it at such high volumes.
I remember purchasing a 45-rpm single of a John Lennon song, it was either Instant Karma or Cold Turkey and stamped on the label were the words, Play Loud. This is good advice in the world of SHM-SACD.
All the best,
MikeC