Schubert writes,
I suspect(strongely) there were be NO current acts even known a hundred much less three hundred years from now.
Popular music is utter garbage plain and simple.
A related question (or two):
How much contemporary classical music will be remembered a hundred years from now?
and
Where does classical (oh, say) Indian music sit on the universal scale of musical value?
Marty
PS It need not be a given that all great art comes from the academy. The guitar has the ability to emulate that most essential of human communications - speech. However, that emulation involves bending strings - a technique central to the blues and (virtually) absent from classical Western guitar music. My own guess is that the blues-based, guitar music of the 20th century will survive and remain of interest to a small group of people, much like (tho likely smaller than) those small groups that follow the various strains of classical music today.
Just a guess, obviously.
This is not to suggest that blues-based guitar music is "superior" to Western Classical music. The structural complexity and ambition of Western classical music separates it from pop and folk forms. However, that is not the only measure of artistic value. A simple idea, communicated in a straightforward and effectively way has artistic value. Enough to last for centuries? Only time will tell.
Posters might want to remain a bit sensitive to the merits of historically African (or other non-Western culture) based art forms. You can pick your own scoring system, but you should always understand that it is your own scoring system, reflecting your own cultural biases - not a universal "truth".
I suspect(strongely) there were be NO current acts even known a hundred much less three hundred years from now.
Popular music is utter garbage plain and simple.
A related question (or two):
How much contemporary classical music will be remembered a hundred years from now?
and
Where does classical (oh, say) Indian music sit on the universal scale of musical value?
Marty
PS It need not be a given that all great art comes from the academy. The guitar has the ability to emulate that most essential of human communications - speech. However, that emulation involves bending strings - a technique central to the blues and (virtually) absent from classical Western guitar music. My own guess is that the blues-based, guitar music of the 20th century will survive and remain of interest to a small group of people, much like (tho likely smaller than) those small groups that follow the various strains of classical music today.
Just a guess, obviously.
This is not to suggest that blues-based guitar music is "superior" to Western Classical music. The structural complexity and ambition of Western classical music separates it from pop and folk forms. However, that is not the only measure of artistic value. A simple idea, communicated in a straightforward and effectively way has artistic value. Enough to last for centuries? Only time will tell.
Posters might want to remain a bit sensitive to the merits of historically African (or other non-Western culture) based art forms. You can pick your own scoring system, but you should always understand that it is your own scoring system, reflecting your own cultural biases - not a universal "truth".