Your suspicion is almost certainly correct, IMO, though they wouldn't intentionally play with phase, as Alan says. There are almost always going to be strange sounding things going on with modern digital recording and all of it's techniques such as reverb, etc. Very long gone are the days when someone actually tried to make a realistic sounding recording.
Recording/Engineering Practices
I have a recording of a duet of Ron Carter and Houston Person titled 'Dialogues' on Blue Note HCD7072. I do not know who engineered the recording.
From a physical 'sound stage' one might think you couldn't ask for more. Wall to wall, floor to ceiling. Amazing, involving. Warm. Nice music too!
However it only too a couple of seconds to realize in real life you had two instruments on stage side by side with equal prominence. On this recording you had Carters bass centered and life like, but Person's sax encompassed the entire stage with some emphasis on/in both corners.
I suspect this effect was as much as the result of two tracks laid down separately and then mixed with the tracks of the bass in phase and the sax out of phase.
Anyone have any thoughts or knowledge of recording practices that would clear this up for me?
From a physical 'sound stage' one might think you couldn't ask for more. Wall to wall, floor to ceiling. Amazing, involving. Warm. Nice music too!
However it only too a couple of seconds to realize in real life you had two instruments on stage side by side with equal prominence. On this recording you had Carters bass centered and life like, but Person's sax encompassed the entire stage with some emphasis on/in both corners.
I suspect this effect was as much as the result of two tracks laid down separately and then mixed with the tracks of the bass in phase and the sax out of phase.
Anyone have any thoughts or knowledge of recording practices that would clear this up for me?
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- 5 posts total
- 5 posts total