Diana Krall Survey

"Her piano playing is her week(?) point." ... good grief, where do these comments come from?

A lot opinions so far. I rather like her music partnership with Elvis Costello. I find the music interesting with a different flavor. In regards to the quality of the recordings, I'm sure a lot of folks would want to have Tommy LiPuma and Al Schmitt produce and record / mix their music with Doug Sax as the mastering engineer. I would expect nothing less than outstanding sonics from this trio.

07-04-12: Pat70
Here's the first song available from her new album:

http://smarturl.it/NewDianaKrall

I listened to this track - 1 minute out of 4:08. That's all I could stand of this song! :( It was quite horrible honestly.
And, I do like DK but I think that she's done for a long time now. IMO her best album was her debut album "Steppin' Out" & then I also like her "When I look in your Eyes". I have a few more albums of her incl. The Girl in the other ROom but those are quite average music-wise.
I think the music industry discovered that they could make her a "babe" & sell her looks & average music. It's working so far! But I think that she's capable of much more but it might not be fare that sells well hence the music industry will not 'allow' her to make/create that sort of music. Yeah, I have to agree that her later albums have no soul - she's a cold beauty, aloof.
Of course this is just my opinion. FWIW, YMMV.

Just listened, and my first impression is "whatever." I am sure it will sound pretty good as other posters above have addressed. One thing no one mentioned is that she is working with T Bone Burnett on this one (instead of Tommy LiPuma), as he is the "producer de jour." I'd expect it to sound a bit more plodding and atmospheric. I like some of what he does, but he tends to slow down the pace, and muddy the bass. Hey, that rhymes! See the Gregg Allman blues release recently to see what I mean.

From the Verve site:

Working for the first time with renowned producer T Bone Burnett and engineer Mike Piersante, Krall revels in a fresh sonic playground captured in the vivid grain and deep resonant focus of analog tape. Burnett has assembled a distinguished cast of remarkable men to complement Krall's piano contribution at an 1890s Steinway upright.

I confess to owning most of Diana’s CD’s… I confess to wondering what possessed me to buy all that elevator music... I confess to not playing them very often… I hope that T-Bone doesn’t muddy this up too bad… and I’ll probable pre-order the new CD ASAP.