I see. IME amps have always been the trickiest to get right in a system. Maybe that's made worse by that fact that there seems to be such slim pickings for them these days. It seems easier by far to get revved up about some really good preamp candidates...or DACs, TTs or speakers...but, somehow, not amps. At least for anything I've seen under $5k. Ask different people about amps and you get a different answer from every person. Not too long ago, I asked Ric Schultz of EVS as to what in the heck I could possibly get from him as a recommendation for an amp under $3k and he just couldn't come up with an answer at the time...and he got his start modifying amps. All my possible suspects that I posed to him he wound up shooting down. Others whose opinion I trust have had the same sort of problem making an amp recommendation to me. My current amps are Monarchy SM-70 Pro's (balanced mono's). They are a probably a bit too much on the forgiving side of things for me to outright recommend them to most people, but, for lack of anything on the horizon to replace them with, I'm actually doing quite well with that limitation...plus they happened to be spectacularly cheap at only $588 each. But, by far my best solution to this issue (and many others) was to have heavily invested into electronic noise reduction ala Alan Maher Designs. This has been crazy good for the performance of my system...but I had to drop a pretty penny for it all...about $9k. It did help these amps do much better with excellent recordings, but all that may really be a whole nother kettle of fish, really. I haven't heard the TNT200's, but it is good to know about them in this light. I wish I could be of more help than that. I've only hear the Oppo on your list and believe it to be good, but I'm not familiar with Meridian pre's. I do agree with you that speakers in this case don't seem to be as big an issue.
Poor recordings that are now great.
This could be a useful thread. It obviously speaks to the quality of the gear. Since I've gotten my Acoustat TNT 200's and 120 back from rebuild/upgrade, I'm blown away by the fidelity of recordings I've considered to be at the bottom of the barrel; all early recordings.
Beatles,
Stones,
Dylan,(some beyond help)
America,
Donovan,
Leonard Cohen,
Monkees,
Steppenwolf,
Louis Armstrong,
Simon, Garfunkel,
Procol Harem,
Johnny Rivers,
Chris Kristofferson,
Loretta Lynn,
etc.
That typical transient saturation is either gone or drastically reduced with the revelation of information lost otherwise, with a corresponding increase in imaging and sound stage. I remember a few salesmen back in the 70's suggesting poor recordings be used as the yard stick when auditioning gear but I never heard the kind of improvement I'm talking about. Interestingly, the difference in otherwise good recordings is not as apparent.
Beatles,
Stones,
Dylan,(some beyond help)
America,
Donovan,
Leonard Cohen,
Monkees,
Steppenwolf,
Louis Armstrong,
Simon, Garfunkel,
Procol Harem,
Johnny Rivers,
Chris Kristofferson,
Loretta Lynn,
etc.
That typical transient saturation is either gone or drastically reduced with the revelation of information lost otherwise, with a corresponding increase in imaging and sound stage. I remember a few salesmen back in the 70's suggesting poor recordings be used as the yard stick when auditioning gear but I never heard the kind of improvement I'm talking about. Interestingly, the difference in otherwise good recordings is not as apparent.
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- 9 posts total
- 9 posts total