Best sound at RMAF


Room #535 by a long shot. Vyger TT, AirTight PC-1 Cart, Kharma speakers, Tenor Audio Amp.
Room #9025 E.A.R. USA All EAR but the 2 Dynavector XV-1S M/S.& cables.

Most disappointing. Most of the rooms.

The Fry Street Quartet that was playing was the ear mark for all rooms and many fell short. Passing by them playing was a relief from the different gear being played. I ran out of some rooms. The greatest speaker on the planet.......... not.

It was the simple systems that were musical that was worth hanging around and spending time with. Harbeth for example.

Big money systems with no TT, I don't get that.

I own all Audio Note and I was let down by the level 2 presentation as my system is much better. Not that it was bad but AN can get best sound at the show with a level 5 system.

All in all it was worth going to.

Thanks to Audiogon, Darrin of Audio Limits, Brian of Aaudio Imports and Peter Q from Audio Note I can say I have a system that sounds so much better than what I heard at the show. That my friends is what it is all about.
So happy I am that I didn't have to spend two, three times the money to have what I have. Audiogon rules!!
128x128glory
Glory- that Is what Its all about If one Is happy with ones system. I am also very happy with mine at present. Why was It worth going If all the rooms as you say were "Most disappointing. Most of the rooms." What were you expecting to hear that you didn't?But I also agree It was well worth going and a must go to event.
I was most perplexed (lol) when I went Into a room to hear a speakers with my cd's that I had taken to the show and the chap told me couldn't! well he was a turntable maker!, so I guess he had a point. I perhaps should've noticed that there was no cd player with the rest of the gear In the room. But you can get a little goggled eyed with all the stuff In each room (to my defence your honor).
Tobias- room sizes that we are for the most part are blessed with here In the US are not quite the norm In other parts of the world ie Europe. So the hotel room sizes are what most especially Brits can expect to listen In. I know friends that have gear In rooms that are not much bigger than 10' x 10' that are sitting rooms also not just hi-fi gear. A bit of a tight squeeze methinks.
I thought that there were quite a few rooms that sounded really good. My possible favs were the Apogee room and the Maxx'2, to name but only 2.
Gawdbless,

I thought it was worth going because I got a FF,split and roomed with a AN nut such as myself, met Darrin of Audio Limits and Brian of Aaudio Imports who I had only talked to by phone and communicated by E-mails. These fellow audiophiles have beem such a help for me in putting together a system that to me sounds right. It is very strange to meet for the first time one who you only have met by phone or E-mail.

Met and talked to some Positive Feedback reviewers and compared notes.

I did not leave the show wanting. I left knowing that with a lot of help from these friends I have built a very good sounding system. No disrespect to any manufacturer or any fellow audiophile intended.
I actually did read the post....
This is what I read...

"I own all Audio Note"
"Most disappointing. Most of the rooms."

The one room you loved was "Room #535 by a long shot".

There is absolutely nothing wrong with you having narrow tastes. To each his own.
But how can the rest of us tell if what was good or not good at RMAF based on narrow taste??
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I thought best in show was the Mbl room(2030), most dissappointing was the Mark Levinson/Wilson Room(2013).