What your asking is difficult to answer. I am absolutely an analog guy but will try to comment without too much bias on the subject.
A dear friend of mine who worked for JVC for several years was heavily involved with the Xrcd stuff. He worked with mastering and quality control and commented to me at CES last year that the JVC digital masters, when auditioned off the studio hard drive, was the closest thing to perfect he had ever heard.
Then he followed with the comment that unfortunately it was "impossible" to move it to another digital media without severely corrupting the sound. For some reason it's fine at stage one and each transfer, save, mix or conversion to SACD, CD, diminishes the quality severely.
An example that I find strange, Alison Krauss is recorded in digital DSD and my analog pressing is absolutely wonderful, much better than I have ever heard the CD, even on fellow audio members systems that have DCS, Audio Note and such. Perhaps as my friend at JVC says, converting directly from digital to analog at the recording studio gets closer than any other way, save an analog original that's done near perfect.
This discussion can dissolve pretty quickly once we begin to discuss recording quality and what era a particular recording came from. Master tapes from the 1940 are no match for those in the 1960's even though both may be 100% analog.
Your question about cartridges is valid. All cartridges imprint their personality on the music they track, as does the turntable, the cables and even the phono preamp. However, there is little doubt that there is big differences in reproduction quality of various digital playback systems as well, as no format is flawless.
Your question "is analog clearly the winner?." My guess is the vote will be split at least 50/50 as members of the Audiogon community seem to prefer one format over the other about equally.
Perhaps the ultimate question is: What do you prefer to listen to?
A dear friend of mine who worked for JVC for several years was heavily involved with the Xrcd stuff. He worked with mastering and quality control and commented to me at CES last year that the JVC digital masters, when auditioned off the studio hard drive, was the closest thing to perfect he had ever heard.
Then he followed with the comment that unfortunately it was "impossible" to move it to another digital media without severely corrupting the sound. For some reason it's fine at stage one and each transfer, save, mix or conversion to SACD, CD, diminishes the quality severely.
An example that I find strange, Alison Krauss is recorded in digital DSD and my analog pressing is absolutely wonderful, much better than I have ever heard the CD, even on fellow audio members systems that have DCS, Audio Note and such. Perhaps as my friend at JVC says, converting directly from digital to analog at the recording studio gets closer than any other way, save an analog original that's done near perfect.
This discussion can dissolve pretty quickly once we begin to discuss recording quality and what era a particular recording came from. Master tapes from the 1940 are no match for those in the 1960's even though both may be 100% analog.
Your question about cartridges is valid. All cartridges imprint their personality on the music they track, as does the turntable, the cables and even the phono preamp. However, there is little doubt that there is big differences in reproduction quality of various digital playback systems as well, as no format is flawless.
Your question "is analog clearly the winner?." My guess is the vote will be split at least 50/50 as members of the Audiogon community seem to prefer one format over the other about equally.
Perhaps the ultimate question is: What do you prefer to listen to?