I'm mostly with Al on this one. The paper that Jea48 refers to is interesting and has some valid information, but there are also some typos and mistakes . . . and I think that some of his conclusions are a little questionable. With ANY of the Audio Express, Audio Amateur, Glass Audio, etc. articles, I HIGHLY recommend also reading follow-ups in the "letters" section of the following issue(s), as there is frequently a bit of ongoing dialogue. I definately would NOT just take them as gospel, simply because they're published in an audio magazine.
But there are cases, esp. with multiple high-powered amplifiers, that I can see some benefit to having multiple circuits run. But if all of the issues that Al mentions aren't taken into account when the circuits are wired, then it will likely make things worse.
In professional sound, lighting, and video, multiple circuits and distros are usually required simply to provide anywhere near enough current . . . not to mention a combination of house and generator power. This is also usually the main portal a grizzly parallel dimension of horrific shocks, sparks, and humm that knows no ends . . . so for a domestic system of modest power requirements, a single dedicated circuit avoids a LOT of pitfalls.
But there are cases, esp. with multiple high-powered amplifiers, that I can see some benefit to having multiple circuits run. But if all of the issues that Al mentions aren't taken into account when the circuits are wired, then it will likely make things worse.
In professional sound, lighting, and video, multiple circuits and distros are usually required simply to provide anywhere near enough current . . . not to mention a combination of house and generator power. This is also usually the main portal a grizzly parallel dimension of horrific shocks, sparks, and humm that knows no ends . . . so for a domestic system of modest power requirements, a single dedicated circuit avoids a LOT of pitfalls.