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Speaker Height - improved bass response.

I recently replaced integrated amps and ended up disastisfied with the results. Whether this is because I expected more or was just used to the sound I don't know. However, I was prepared to replace equipment again to get the sound I was looking for. I tried a variety of speaker cables, and a few interconnects although I don't have a bunch on hand. I don't really buy into expensive power cords but I did wire a dedictated circuit with Cooper Isolated ground recepticles (I think these rival some "audiophile" expensive outlets, really well made, copper, really exceptional contact with plug, $12 per)

Then, came the economic meltdown creating some pressure on me not to just throw money at the situation but to look at some alternative, lower-cost solutions. I started investigating tweaks and wanted to share one that has really improved my listening experience.

Speaker height - although I have spent time and energy measuring distance from walls and creating an appropriate listening triangle, I did not spend as much energy adjusting the height of my speakers. This is partly because my stands are good quality, metal and made to be about 22 or 24 inches high. Even though I have had good advice from Roy Johnson of Green Mountain about floor reflections impacting bass. I just didn't make the connection. At the current height, my ear level was at about the middle of the speaker between the woofer and tweeter. A number of articles I have researched indicate ear level should be at tweeter height and typically speakers are mounted too high. I looked online at stands and was hard pressed to find stands with height options.

So, in my frustration at not being able to buy new stuff, I went out and got a metal saw blade for my chop saw, took my stands apart and cut six inches off of them. This put my ear right at tweeter level or slightly above. After painting them and putting them back together, I set up my system and was amazed to find that not only was the soundstage improved, more defined and clear but my bass response had improved dramatically. I actually had to turn my subwoofer level down quite a bit and adjust the crossover frequency as the low ranges of bass in the speakers was brought out (50 to 100 hz) where there had been kind of a suck-out before.

So my experience indicates that there is standing wave interaction with speakers depending on height and that adjusting height, not just for ear level but for bass response is a low-cost and useful exercise.

I am wondering if anyone has more technical insight into this or has had similar experiences.

thanks.
drewh1
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shadorne
7,467 posts
 
Speakers typically have a suckout between 200 and 300 Hz as well as other modal problems. Placing the woofers at a room boundary - as in a down firing sub is one way to deal with the problem. Another approach is to soffit mount the speakers. With free standing speakers you can move the speakers around to find a good spot but unless you soffit mount them then you are really exchanging one suckout for another - although with a bit of luck you can at least even out the response (which is what you appear to have achieved).

Pretty much all the serious setups are soffit mounted - here is one that was installed recently and appeared in ProsoundWeb today - you'll see that all three of the principal control rooms were outfitted with soffit-mounted speakers...
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shadorne
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See also this interesting interview with Roy Allison about the "Allison Effect".

I decided to find out what was going on with loudspeakers and room interaction. I'd had a hint of it while doing some papers at AR. There was an unexplained phenomenon—nobody could tell me why it happened: a suckout in the middle bass range in almost every loudspeaker, almost every room transmission curve that we measured. That got my curiosity aroused. I wanted to find out what was causing it.

and

I did a great deal of empirical testing of my own and racked my brain, trying to figure out how to avoid this problem—and it was indeed a problem. Reflections from room surfaces can increase or decrease the power output of a woofer. Reflected energy increases the instantaneous density of the air in front of the woofer at very low frequencies. This provides an improved impedance match, and the efficiency of the woofer is thereby increased, along with the woofer's power output. At some higher frequency that depends on the distance or distances from the room surface or surfaces, the reflected energy goes out of phase with the woofer cone motion. That decreases the instantaneous density, and the woofer efficiency decreases. That's what causes the dip.

Now if the woofer is fairly close to one room surface and distant from others, in most home listening systems, power output in the range between 100 and 300Hz will drop about 1dB below what it would be without the nearby reflecting surface. At very low frequencies, there would be a 3dB increase in power output. That means, given maximum increase and maximum decrease, there's a total variation of 4dB. With the woofer equidistant from two intersecting surfaces, the dip is 3dB; factor in the maximum rise, in this case 6dB, and you have a 9dB variation. If it's equidistant from three surfaces that intersect at right angles, the dip would be a devastating 11dB and the maximum rise 9dB—a 20dB change over the bottom octaves. If the woofer is not on the line of symmetry, which is to say the same distance from all three surfaces, the dip is less severe but can still be significant. In home listening situations, I've found this reflected impedance typically causes variations from 5 to 12dB. If a tuner or receiver exhibited variations like this, it would be rejected out of hand.

Roy holds a patent for down firing woofers that help eliminate or reduce the in room dips that occur in the bass with conventional speaker woofers. The idea is to get the woofer as close to a surface as possible and push the dips up and out of the critical bass range. Soffit mounting is the same idea only the speaker cabinet is now in the wall.
drewh1 OP
115 posts
 
Shadorne,

I have only been involved in Audiogon for about a year but have appreciated your input on many of the technical threads, especially your practical approach to expensive "tweaks". With some engineering background (more in digital technology) and also as a retired professional musician, I am generally very skeptical about audio tweaks that don't seem to make sense from a physics perspective. Anyway, thanks for your input.

I can see the sense in the idea of an infinite baffle for speakers and feel this would be an ideal solution with the green mountains. I am wondering if the baffle, rather than being a complete soffit, could be a large standalone baffle that surrounds the speaker to the floor and then 2 or 3 feet in all other directions. The speaker would be flush with the baffle. I am envisioning a plywood construction with solid foam insulation (1 or 2 inch) to absorb vibration.

I rent and cannot make permanent mods. So I am thinking of alternatives. This would take the place of numerous and complicated corner and wall sound absorbing materials.

What do think?

Drew.
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