what is the theory behind maple stands and racks?


I have not "heard" a maple amp stand or rack - using Billy Bags products now, which are made from steel and mdf - but don't grasp why maple would be a good material to use - quite the opposite. Maple is used for some electric guitars because it "rings" - it is very dense and causes notes to sustain, which is to say, it continues to vibrate for a long time. This would seem to be exactly the opposite of what one wants in a stand or a rack. If there is some claim that vibration is "drained away", well, if the rack is continuing to ring, that would likely cause acoustical feedback - the equipment isn't isolated from the thing it is sitting on. Can anyone who is not a vendor of these things explain the why of it, or relate positive experiences that seem to have a basis in fact?
128x128lloydc
Llyodc,

Here is a very theoretical and probably not very satisfying explanation for what I have experienced first hand with my system. I think part of the appeal of hardwoods (not just maple) for this application is that in fact they are not so hard that vibrations just bounce off the material and back into your gear. When the piece of wood is thin like a violin or a guitar, the wood will resonate a great deal (a good thing), and these musical instruments tend to be made with thin pieces of softer woods put together in configurations that will resonate just the right amount.

When hardwoods are cut or glued together into thick slabs, their resonant properties are different from thin pieces. Vibrations entering the slab from one side are dampened as they travel through the material and as they are reflected back. So while the maple slab doesn't absorb and eliminate all vibrations from your gear and the room, it definitely mutes them. Think about the difference between being inside an old wooden ship made of thick timbers and a newer steel ship made from relatively thin sheets of metal - they definitely "sound" different with the steel being much more resonant and "live" sounding.

So why not use particle board or MDF which are less lively than solid or glued hardwoods? All I can say is that they are either TOO dead, or because they lack the complex structure of intact wood fibers, they cannot drain vibration away from your gear as effectively. Apparently some vibration is a good thing!?!

Lastly, the best hardwood vibration platforms I have used are thicker and very heavy - a full 2" thick or more - so they have a lot of inertia to stay put and not respond to vibrations coming from the room or your gear itself. Thinner glass, steel, MDF shelving while strong enough to hold up your gear would be easier to set in motion - especially by lower and more powerful frequencies.

Hope that helps a little.
>>A lot of baseball bats are made with maple because of this<<

Actually most are made of ash.
Charlie Watts likes solid maple drums, I think he has them made in Maryland somewhere. Could be the maple preserves the dynamics without screwing up the tone, as might be the case with other materials like MDF. Maybe NASA or someone should do a full blown dynamic analysis to see why maple is good for sound.
Most pool cues are made of maple (at least the shaft portion), probably because the highish specific gravity leads to improved stiffness and a lower susceptibility to moisture related changes.

Many audio equipment platforms, etc. are made of maple because audiophiles believe they can hear a difference between an amp sitting on maple and one sitting on oak, and also because we receive a catalogue from "Mapleshade" and none from "Oakshade."
The trouble with oak is it is far too lofty and grab up all the light. Maples have been oppressed.