Shadorne, and they quite believe they are right!
Maple is easy to look at, reasonably stable, easy to source, easy to machine, and easy to finish. That's it, nothing more. Well, except that in some uses people believe it sounds better.
I built my stands using maple and walnut. Why? Because both woods are easy to look at, reasonably stable, easy to source, easy to machine, and easy to finish. ;-)
In my system I found that maple shelves (all of my shelves are on sandboxes) work ok under most of my components. It was horrible, IMO, under my turntable. So I tried granite. it was horrible in another way. I eventually wound up with 1/2" aluminum plate under my 'table, the table is spiked into the plate, and the plate is supported above the granite shelf with Stillpoints. I'm using rollerblocks under my source power supplies (that's where the tranny vibes are), and I let the stock rubber booties handle the CDP, preamp and phonostage chassis. So, in the end, I'm finding that no one shelf material works for me in all applications.
But if you notice I'm using several forms of vibration control. Some isolation, some damping, some coupling. It all just happens to be sitting on those maple and walnut stands.
Maple is easy to look at, reasonably stable, easy to source, easy to machine, and easy to finish. That's it, nothing more. Well, except that in some uses people believe it sounds better.
I built my stands using maple and walnut. Why? Because both woods are easy to look at, reasonably stable, easy to source, easy to machine, and easy to finish. ;-)
In my system I found that maple shelves (all of my shelves are on sandboxes) work ok under most of my components. It was horrible, IMO, under my turntable. So I tried granite. it was horrible in another way. I eventually wound up with 1/2" aluminum plate under my 'table, the table is spiked into the plate, and the plate is supported above the granite shelf with Stillpoints. I'm using rollerblocks under my source power supplies (that's where the tranny vibes are), and I let the stock rubber booties handle the CDP, preamp and phonostage chassis. So, in the end, I'm finding that no one shelf material works for me in all applications.
But if you notice I'm using several forms of vibration control. Some isolation, some damping, some coupling. It all just happens to be sitting on those maple and walnut stands.