Some good points above, Vertigo.
The comment "More accurate, mind you, not better sounding" makes no sense, but belies the common (among audiophiles) lack of understanding of what accuracy means. Unfortunately, accuracy is seen as something that is independent of a verifiable reference. The more a listener spends time listening to live music, the easier it becomes to recognize and define accuracy. Familiarity with live music is the only way to attach real meaning to the term; anything else is just an expression of preference.
Many audiophiles have a notion of what constitutes accurate or euphonious sound that is not rooted in reality. Being used to the "accurate", thin and tipped-up sound of most digitally recorded strings, I think they would be very surprised to hear how "euphonious" a great string section playing the Dvorak Serenade For Strings in a great concert hall can sound. Conversely, they would be equally surprised at how incredibly abrasive and strident a soprano saxophone can sound heard live and up-close in a club. In both cases, if a piece of equipment can
convey this, it approaches accuracy. And then we have the really elusive, non-tonal aspects of music that define accuracy (or not); the rhythmic and dynamic subtleties that are heard in live, unprocessed music that are almost destroyed by most equipment.