Apple Lossless Encoder - Audiophile Quality?


Is Apple Lossless Encoder the best format to use to import music into iTunes?

My goal is to get the highest quality music regardless of cost.

I want to get the best that I can get of a CD so that I won't have to re-import my music from the same CDs in 5-years.

I am using a Mac based system, but I don't think that should make any difference.
hdomke
Wdrazek- I haven't backed up yet. Procrastinating as usual. My drive is less than two months old so that's probably driving my complacency. I have to re-format my old drive to back up the files- hence the laziness...

Scrith- thanks for taking that. I couldn't have worded it as well. I'm not sure I agree that you will be tied to Apple hardware/software until the end of time if you go Apple lossless. I run itunes in xp to rip and sonos reads the files. Slim Devices and others also support Apple lossless.

Yes, you have to beware of proprietary formats, but Apple's are becoming so dominant mfr's will be making compatible gear for a long, long time if they want to stay in business. The added perk that you CAN play it in itunes and sync to your ipod and easily share with all the other Apple users out there is not a small deal...
Programmers say quite definitively that AL is the EXACT same file when uncompressed as the "true master". If it sounds different to some, it is either in their head or in the way the gear is decoding the file.

And disk space still isn't cheap enough for me!
I don't understand the paranoia around lossless formats sounding different / worse either. And, yes, drive space is cheap, but it's not free, backups take time, all disk activity takes time, and there is no cost to using a lossless format. With WAV not supporting tag info, there is both a real cost and a logical cost to going with the uncompressed format. I don't get it.
I totally agree with Rdc2000 and Kthomas

iTunes is one of the crown jewels of the Apple empire. It is tightly coupled to their revenue model. There are some 125 million copies of iTunes out there.

In plain english this means that Apple has a world class team of developers and programmers supporting iTunes. There is no other format that can even begin to dream about that.

It sounds great, integrates all the functions associated with hard drive based music and its free...
If you follow Ckorody's logic you could just as easily conclude that you should use Apple's uncompressed format, AIFF (which does support tag info).

Regarding the cost of hard drives -- TB sized drives can be had for less than $350. In the audiophile world where $80,000 speakers are called bargains and people routinely tout $1k power cords I would think the cost of HDs wouldn't be too much of a factor. I could be wrong.

AIFF vs. Apple loseless -- if you're using a wireless system, then by all means go with data compression. Your wireless is going to convert and compress anyway. If you're not using wireless, then what compelling reason is there to compress? As an audiophile I can obsess about whether an original generation tape is used in mastering a recording, but I'm paranoid if I don't think it wise to digitally alter my entire music collection? All my computer training tells me that you have to keep a virgin copy of data (and yes I keep stored all my CDs). My legal training tells me that a copy is not the original. It's a copy and whether the copy is indistinguishable from the original is always in question. Why take a risk, even if very slight, with your music collection if you don't have to?