Tvad,
Nsgarch was just having some fun with his comment. I had a Behringer 8024 UltraCurve Pro EQ in my system once. I could never get that system to sound "right" or anywhere near natural with the Behringer in it. It was a bad sounding piece, in my opinion although I know they've improved a bit since then. They would have had to improve it immensely for me to like it full range.
So, I would probably not use a Behringer full range although I might consider it for bass duty only. I am not looking for a radical change, only a subtle one, and only on LP, not CD (which is great).
My idea will let you hear the exact sonic signature of any cable in the tape loop, which can be useful in more ways than one...
Nsgarch was just having some fun with his comment. I had a Behringer 8024 UltraCurve Pro EQ in my system once. I could never get that system to sound "right" or anywhere near natural with the Behringer in it. It was a bad sounding piece, in my opinion although I know they've improved a bit since then. They would have had to improve it immensely for me to like it full range.
So, I would probably not use a Behringer full range although I might consider it for bass duty only. I am not looking for a radical change, only a subtle one, and only on LP, not CD (which is great).
My idea will let you hear the exact sonic signature of any cable in the tape loop, which can be useful in more ways than one...