A few systems heard at the Rocky Mntn. audiofest


I sure didn't hear them all, and I'm not about to say that my fave is the show's best system, but here are a few observations.

1. Most rooms I didn't even walk into as they were either too crowded or were playing diddeebopper trash that I RUN away from.
2. The Intuitive Design speakers room was playing an acoustic-bass recording that sounded EXCELLENT. It was closely miked and the bassist was doing lots of whacking and clacking, and the bass really did sound real. Didn't hear anything else there. Their literature reads as if their 2 systems will be QUITE expensive.
3. Herron was demoing prototypes of new, big speakers and subwoofers, and the short piece of the Reference recording of the Rutter Requium sounded VERY good.
4. North Creek's new Advanced Ribbon Technologies Division was playing their new Metro hybrid ribbon system. Only about 3' high, it used a single MR/treble ribbon and a 7" vented woofer. The system had almost no bottom-octave energy and a little too much treble for my taste, but it sounded VERY coherent. Too bad it'll retail for some $7 - $8K/pair.
5. Bruce Thigpen of Eminent Technology was demoing his new Thigpen Rotary Woofer (TRW) system. This thing is going to be a hit with well-moneyed home-theater fans, as it'll generate high SPLs with VERY little distortion at frequencies as low as ONE Hertz! Several of us heard continuous tones at 16Hz.; below that I felt rather than heard the energy. At 2 Hertz it was flapping the room's door about an inch peak-to-peak! 'Only' $13K.
6. The only ABSOLUTELY GREAT-sounding system for me was AvantGarde's Duo horn-based system, driven by Thor tubed preamp and amps. WOW!!!!!! I've never heard big, expensive, horn-based systems before, and it literally had me in tears with, again, the Rutter Requium. I played a lot of my CD of the EMI/Boult Holst Planets, and I was truly amazed at the tonal naturalness, soundstage size, imaging specificity, etc.
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128x128jeffreybehr
You're right, I didn't read your thread closely enough, or maybe having gotten up at 4AM to fly home has something to do with it. I have LPs and CDs with sine waves, what I was getting at was the idea that it would have been helpful to hear something that could be recognized as something 'musical.'

There were some instances of poor musical selections. Vetterone and I were talking to one of the guys from the B&W/Classe room when the guys across the hall opened their door and started playing some truly repugnant country type music - loudly! After a minute or Steve went across and gently slammed the door shut. I'm still laughing!

Anyway, you were right and I was wrong - again!!!
Nrchy, no problem. :-)

I think Bruce needs to increase his promotion efforts including bringing a full ET-based HT system to these shows.

We'll see.

The AvantGarde horn system still sounded WONDERFUL.
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Jeffrey, who was demonstrating the AG horns?

Specifically, was it the manufacturer, the US distributor or a particular dealer?

Thanks
Why let the music chase you away?

I don't get it, are you there to listen to music and hear systems and components or dump on other peoples' musical tastes?

There's a good chance that the music playing was a request from a visitor to the room, who happens to like that type of music. The exhibitor will politely let the visitor play a song, and if the music was, um, less than pleasant to the ears, it will go off quickly and the system is open for the next song.

Chances also are that the exhibitor will welcome your request.

In otherwords, don't sh*tcan the room because you heard a song that YOU personally do not like. Another person might roll their eyes at YOUR selection, but that's no reason to reject the exhibit room.

You're also the loser because you didn't have the patience and tolerance to wait it out for a couple of minutes. You may have missed a great system!