Should a good system sound bad with bad recording?


A friend of mine came home with a few CDs burnt out of "official" bootleg recordings of Pearl Jam NorAm tour...the sound was so crappy that he looked at me a bit embarrassed, thinking "very loud" that my system was really not great despite the money I spent. I checked the site he downloaded from...full concerts are about 200 MB on average. I guess I am dealing with a case of ultra-compressed files. Should I be proud that the sound was really crappy on my set up?!!!!
beheme
Hi Mr Tennis,

You are right - I should have said "more or less accurate" rather than "accurate or not".

My point is that a system that majors on accuracy will tell it like it is - recording flaws, compression, etc. will be undisguised. I don't think the system will sound "bad" but I do think that that recording might sound more enjoyable on a more forgiving combination.

Hens
We can spend as much as we like on a great rig but it all comes down to the quality of the cd. A great sounding disc as a reference will show who has the best syste. Put a crap recording in anyone's rig and it will sound like crap.
hens and zar:

you are both right. there still is an issue as to how one would describe a "bad" sounding stereo system.

i have yet to see in print a description of a good and bad quality stereo system, other than accurate is good and inaccurate is bad. is it possible that many of us what want a stereo system to sound as close as possible to the correct instrumental timbre--as we remember it, regardless of accuracy considerations ?
is it possible that many of us ...want a stereo system to sound as close as possible to the correct instrumental timbre--as we remember it, regardless of accuracy considerations
Maybe, ultimately -- but from a hi-end consumer's point of view -- probably not.

It seems that many audiophiles choose one of two schools of sonic illusion (preferences changing with fashion trends of course)
The "Transparency" school: the illusion of the musical instruments being suspended in space before us, clearly delineated. Add a liberal measure of mid bass (often perceived and reported as "bass") and you;re there.

The "Neutral/ musical" school: "warmth" -- i.e. some prominence in the mid/lower mid range -- at the expense of ultimate clarity -- the latter seen as hearing every sound contained in the recording, however trivial or little. This is termed "neutral" because the prominence referred to above should not be due to non-linear distortion products...

IMO, YMMV, etc.
Nothing is perfect, not even your stereo. Just find what YOU like and all will be well. If you seek perfection, you will spend your days in frustration.

Arthur