Why does my laptop annoy me less than my rig?


I listen to a lot of music from the two itty bitty speakers in my PowerBook G4. And it gives me a lot of pleasure, even though it's distorted, there's no bass, and I'm missing most of the detail. Same goes for my clock radio. I like to wake up to rap. For some reason, it's amusing to greet the day with rhymed obscenities distorted and enclosed in a little piece of plastic. I also wake up to classical, and sometimes spend half an hour listening to a concerto through the clock radio before taking a shower.

Other times, of course, I listen to my main system. It's not a great system. It's called "midfi purgatory" for a reason: purgatory isn't forever, and I'm determined to buy and tweak my way into paradise. But it's still cost me a fair chunk of cash. Retail value is, um, let's see... close to $5K with stands and cables included. My clock radio was $10. So I could have bought 500 clock radios for the price of my system. (Thank God -- or Ebay -- I didn't pay retail!) And my system isn't bad for the money in any particular dimension of evaluation. It's very dynamic, bass is crisp, and pianos, as well as narrators, sound real. Certainly in any way of comparing audio system, my rig whips my clock radio (and laptop) by a ridiculous margin.

And yet... My clock radio never annoys me. Neither does my laptop. My system annoys the hell out of me! Strings can be thin and metallic, complex passages get muddled, cabinets resonate at certain frequencies if the volume is up, most music is fatiguing when played at realistic levels, and so on. I'm trying different things, of course, room treatment, swapping components, and so on. And the annoyance gets a little better, but it's still there.

I have a theory. The theory is that the clock radio is so far from realism, we just don't expect it. So there's no annoyance factor in its falling short of realism. But my system is just close enough that we really notice what's missing... that gap between our simulated acoustic instruments and those very instruments, live. Hence, the annoyance.

Analogy: HDTV on a big plasma or LCD is really cool. But I notice moving edges, and they really annoy me. In fact, in all such systems, I always notice something that isn't quite right and annoys me. The picture is much closer to just looking with the naked eye than a standard TV set is. And yet, standard TV sets don't annoy me for their lack of realism. I take them for what they are. Automatically.

I'm not about to give up on getting out of purgatory. But I wonder if my annoyance is an inevitable result of getting closer, but not quite arriving, at auditory realism. Any thoughts?
qualia8
The cure:
Stop listening to the rig or powerbook or clock radio.
Start listening music.
I think your own explanation is dead on. The brain has an uncanny ability to fill in whatever is missing when listening to something thats sounds like a cheap radio. When your system starts to approach the sound of the real musical event it seems your brain starts to focus on whatever is not quite right. The only thing we can do is try to put together something with shortcomings that we find least offensive and we can enjoy. This can be very frustrating...but mostly fun. I hope.
Since the main rig will never be sonically perfect and it never is, maybe we can stop agonizing and live happily ever after with the purchase of the all inspiring Bose Wave radio with the CD option?
I have noticed the same thing. And I don't think it's funny. I think part of it is what you mention - whether your expectations are being fulfilled. But there's more.

Maybe a good clock radio doesn't attempt much, so doesn't fail. It has no tweeter, so can't generate bad high frequencies. It can't gneerate booming bass. A system that aspires to do more may do more, but not very well, which becomes annoying.

You also probably play your big rig louder, which also makes it more likely to annoy.

There is also the trend in high-end to have a trade-off between resolution and musicality. The more highly resolving systems tend to sound more irritating. I hope this isn't an absolute rule. My goal is to put together a system thqt is both highly resolving and musical. It is not easy.

I don't know if any of this applies to your system. It looks like you have chosen good musical components.
Thanks everyone for your thoughts. It's nice to know I'm not alone in this, and that if I keep tinkering, I might get over the hump and really enjoy music again, and not just on my laptop.

My sanity has never been more in question than of late, as I run around my room placing cushions, blankets, coats, and styrofoam-filled boxes around the room... using a mirror and flashlight to find the first reflection points. And then I waltz around clapping my hands and listening to the slap echo. Wouldn't you know, it's at its worst right where my speakers are, and where they have to be, given the room setup.

Even more disturbing, I've taken to rapping the walls with my knuckles, exclaiming: "Did you hear that? You hear that ringing?" My walls have steel studs, rather than the usual wooden 2x4's, and I am convinced I can hear them ringing out when sonic pressure waves hit the drywall. (Honest1: you're right, my clock radio can't ring those studs.)

I've also been listening in the cold, because the heater has a fan that really bugs me. I bundle up and enjoy the blacker audio blacks with a cup of hot tea.

When the fridge is running, I also get stressed out, trying to discern details in the music. I pause my playback until it cycles off -- which makes me quite conscious of making the most of each time I open the fridge door.

Part of the problem is that I have had some truly rapturous listening experiences, where I was just trasported out my ordinary day-to-day life. Typically, these happen late at night, when my own audiotory system is hyper sensitive and the background -- electrical and sonic -- is silent. Once I listened to the "Tuba Mirum" from Mozart's Requiem (Netherlands Bach Society SACD) and felt more immediacy, more emotional response, than I have at live performances of the same piece. Evgeny Kissin's Rachmaninoff Etudes, Murray Periah's Chopin Etudes, van Cliburn's Tschaikovsky Concerto. I have thrilled to each of these. And it's hard to have that kind of glorious experience again and again. You acclimate, and demand better.

Well, I am getting some new Revels soon, and also moving to a new apartment, hopefully with better acoustics. Everthing sounds bad in my current place; I can hardly listen to my own voice. If those things don't work, I'm going to try tube gear, and mabye vinyl. If that doesn't work either, I'll be back on Audiogon asking for your help. If need be, I'll hire the Rives Audio people to advise on treating my place. I'm not giving up. And if I ever buy anything with a Bose name on it, so help me...