Many reviewers will lead you down the wrong path.


A lot of reviewers will tell you that they listen for something specific on certain records to see if things are correctly setup. Either they don't know what they are talking about, or it is very misleading. This is how you tweak a system. One: use the objective parameters, i.e., tonearm should be level with record being played; speakers should be so many feet from the back and/or side wall, anti-skate dial should match tracking force dial, etc. Two: slightly tweak things one way or another, until you hear what does what. When they tell you that from memory, they think such-and-such, ask their age. I would discount anything they say if they are over 50(I'm 55). When you find out what does what, you will know what to do. If the final answer doesn't have the treble that you've heard before, or has sibilance, or not enough bass, too bad. You do not use things to dial in things that you know exist. Your job is to find out what is best for what you are dealing with. Ignore all the other stuff. You'll be glad that you heard this from me. Go on to other parameters, but do not try to dial in one thing from one tweak. That is not how it is done. You listen until you hear what one thing does and put that right.
mmakshak
Is this a serious post?
You do not use things to dial in things that you know exist. Your job is to find out what is best for what you are dealing with. Ignore all the other stuff. You'll be glad that you heard this from me. Go on to other parameters, but do not try to dial in one thing from one tweak. That is not how it is done. You listen until you hear what one thing does and put that right.
It's barely coherent.
Reviewers are unfortunately all biased. Some depend on advertizing revenues for the audio magazine they are affiliated with or freelancing for. Or they already own the equipment and are predisposed to like what they have shelled out $$$ for (proud owner). Or just the very act of going to the extensive trouble of making a bunch of listening tests and writing up a review will tend to make the reviewer biased towards giving praise (what people prefer to hear) versus being highly critical (what nobody wants to hear, especially the manufacturer or owners of that equipment).

IMHO, the best reviews are simply technical and give the functionality/features of the product rather than glowing recommendations about the sound quality. I cringe at the typical hyperbole with claims ranging from the "earth moved", "the veil was lifted" or "my expectations were shattered".

The best endorsement for the quality of an audio product, in my view, is a user list (without comments). This is especially useful if you know that the users have expertise (musicians/artists/recording engineers) and if they have the resources to freely choose whatever they like best (i.e. they are not endorsing the product because they have connections to the manufacturer and they have lots of money).
"When I was fourteen, my father was so ignorant I could hardly stand to have him around. When I got to be twenty-one, I was astonished at how much he had learned in seven years."
Mark Twain
Julian Hirsh rules. Then and now. Every speaker grooves, every component rocks.
Nothing a reviewer says about a particular product has any meaning because his frame of reference is undefined. Even when they compare products the comparison used is often unknown, unavailable or unusual in some way (deliberately I think).
I know its politically incorrect, but I have always found that specifications tell 80% of the story, and all that is required is a good listen to a selection of contenders to discern the subtle differences (and the specification liars).

To me 1.0% distortion in a power amplifier is unlistenable, while 0.01% is usually pretty good. (You need to watch the qualifications too.) No matter how much people talk about some kinds of distortion being less audible than others I have not found this to be the case. In fact I am completely allergic to anything labelled as warm, tubey, valve like, golden, dark (if dark means lacking in high frequencies) and so on.