@audiolabryinth. Well in terms of the improvement a different price points you would first have to understand that the 3 or 4 most expensive systems I have heard were put together by guys that either have a lot if experience in the industry or have sold and heard a lot of equipment. For example, the most expensive system I heard was the one that had the yg acoustics speakers and mit cables on it and the dartzeel amp and pre was great. The owner built it to suit his tastes and sound in music. He treated the room took measurements etc. He created a great sound and listening environment. The yg were design to give you a totally even response. They did that really well. It's not always about the equipment but the system as a whole has to be quality and it has to be set up properly. The higher end stuff can be mind blowing good. It should be for the price. I can't put a percentage on it. There are a lot variables. Sound is more than just the equipment. It is the room, power, speaker placement, equipment matching, cable matching. I didn't even mention one of the most important which is the recording itself. I believe you can put good systems together for 25000. When you go up the chain to 50000 it's gets better and so on up to the crazy mega system that I heard. But when you get that high you are talking dedicated rooms, tweaks and even modification of some equipment. The mega system with the high fidelity ultimate reference system withe voxativ speakers and the ayon dac was great. It was very natural sounding system and it also achieved the sound that the owner wanted. Great depth soundstage and speed with natural sound. The soulution electronics raihdo speaker system was unreal. It gave you the impression that gave you had endless soundstage and depth. It was ultra smooth. That's what the owner wanted. He has an aversion to bright treble. It treble ever gets harsh it drives him crazy. I'm also in the same camp. I like his system because my preference was the same as his almost to a tee. It depends on what you like. The more expensive stuff in most cases can take you to a deeper and farther level of what you seek. I came to the conclusion that I will keep my parasound cd 1 as my cd front end because of its continued performance in all my own systems I put together. It has qualities I like. I heard two other really expensive systems but they were put together for the purpose of getting the owner exactly what they sought in sound signature. If I had the money I would get the best I could because I love the music. I want it to be as real as possible. Great systems don't have to cost you a house or car but if you want to climb the mountain then why not. A great system is great because YOUR ear likes it. But our ears are all different. My audio buddies have different preferences. There are about 7 guys in the circle that I know and they all have vastly different tastes in sound. The systems range from 25,000 up to 300,000 but they all are satisfying to their owners fro different reasons and they get the job done. But it should never be about cost. If you can put together a 5000 or 10000 system that you like then you should be happy with it. However I must admit that the really expensive stuff is in a whole other world good. It puts the performers in the room with you. It can be stunning the amount of performance you get out of the best equipment in the hobby. Amps, pre amps, sources, cables and power cords all matter no matter what the people say. The better you get the better the sound. The better you match the better the sound.
Taralabs cables
Hi, I wanted to start a new thread for all the owners of Taralabs cables, Enjoy, and cheers.
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- 2466 posts total
- 2466 posts total